A documentary on gay, lesbian, and transgender Muslims across the Muslim and Western worlds.
I Always Said Yes: The Many Lives of Wakefield Poole (2013)
I Always Said Yes is a portrait of pioneering filmmaker Wakefield Poole, whose careers as dancer, choreographer, and director spanned the golden years of Broadway, television, porno chic, and gay liberation.
Queens and Cowboys: A Straight Year on the Gay Rodeo (2014)
A feature film that chronicles a complete season of the International Gay Rodeo Association. Roping and riding across north America for the past 30 years, the IGRA's courageous cowboys and cowgirls brave challenges both in and out of the arena on their quest to qualify for the World Finals at the end of the season. And along the way, they'll bust every stereotype in the book.
Agnus Gay (1997)
Footage from the first ever São Paulo LGBTQ Pride Parade, which took place on the 28th of June 1997 on Avenida Paulista. The annual event would go on to become the largest pride parade in the world.
Bugman (2024)
A misunderstood and isolated transgender teenager takes revenge upon his unaccepting parents. A powerful supernatural entity known as the Bug God contacts him to help him do the deed. A mysterious organization produces a largely fictitious made-for-TV docudrama on the subject.
Marketing the Messiah (2020)
Whether you are a Christian, atheist, or member of another faith, it's impossible to ignore the impact that Christianity has had on Western civilization. But most people don't actually know how Christianity began. In this lighthearted but factual film, we tell the "true" story of early Christianity. An honest attempt to piece together a very complex and fascinating story that everyone will enjoy.
Hitler's Religion (1995)
Explores the influence of propaganda on religion during Hitler's reign as well as his representation as the new Messiah.
Out in Nature: Homosexual Behaviour in the Animal Kingdom (2001)
Can any of those who claim homosexuality is "unnatural" explain this beastly behaviour?
The Meaning of It All (2018)
Shot in Atlanta, this is a collection of clips of Phanphiroj talking to handsome young men he has brought into his studio to photograph for a book project. So there are clips of him interviewing them, shooting photos and even having physical encounters. And there are several conversations that dig deeper into attitudes. The key point is that most of these guys are straight, and Ohm is flirting shamelessly with them. The film is loosely edited, jumping around between encounters as it explores ideas about attraction, lust and even porn. It's silly and relaxed, and of course very indulgent too.
Shelter: Farewell to Eden (2019)
Pepsi is an individual in sexual transition looking for a stable job as a caregiver. Former member of MILF, the Moro Islamic Liberation Front active in an island of southern Philippines, she escaped from her country to work as a nurse for over 10 years in Gaddafi's Libya. Because of gender discrimination, she has been forced to join the flow of refugees.
Glory Daze: The Life and Times of Michael Alig (2015)
A review of the wild New York City nightlife of the 90s. The cast of characters who made up the infamous Club Kids speak candidly about that era, culminating with Alig's release from incarceration.
Letter from Tokyo (2018)
Letter from Tokyo is a documentary film that looks at art, culture and politics in Tokyo, Japan. Shot over three months during the summer of 2018, and with a particular focus on grass roots arts initiatives, the use of public space, and queer politics, the film provides a snapshot of Japan’s capital in the run up to the 2020 olympics.
The Weight of Sight (2024)
The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?
Khartoum Offside (2019)
A group of exceptional young ladies in Khartoum are determined to play football professionally. They are prepared to defy the ban imposed by Sudan's Islamic Military government and they will not take no for an answer. Their battle to get officially recognized as Sudan's National Woman's team is fearless, courageous and often laughable. But their struggle is unwavering. Through the intimate portrait of these women over a number of years we follow their moments of hope and deception. Despite the National Football Federation getting FIFA funds earmarked for the women's teams, this team continues to be marginalized. However, there is a new spark of hope when the elections within the federation could mean real change of the entire system.
The Birth of Boadicea Burnout (2016)
A drag queen applies his friend's makeup as they reflect on the business and their sexuality.
Bad Faith (2024)
On January 6, 2021, Americans witnessed an attack on the U.S. Capitol without precedent in our history. Armed militiamen and QAnon followers made headlines, but among them were a sea of crosses and Christian flags, rosaries and "Jesus Saves" signs. What motivated so many Christians to participate in this violent assault?
Francesco (2020)
Francesco takes an unsparing look at the most pressing challenges of the 21st-century, asking deep questions about the human condition. The film is guided by Pope Francis who, with tremendous humility, wisdom, and generosity, offers moving lessons from his life that illuminate what it will take to build a better future. In doing so, he addresses issues such as climate change, immigration, peace and religious tolerance, LGBTQ support, gender and identity justice, and economic equality.
Young and Hooked on Chemsex (2021)
The chemsex scene is a subculture within the gay community where men mix drugs like methamphetamine & GHB with sex to maximize pleasure and decrease inhibitions. In this documentary, three young men from New Zealand share personal accounts of what it was like to be involved in the chemsex scene.