A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.

Sarcophagus for a Queen (2019)
Bjørn Nørgaard and a team of Czech glass artists in the demanding process of creating a grave monument for Queen Margrethe and Prince Henrik of Denmark.

Man in the Field: The Life and Art of Jim Denevan (2021)
In this graceful study of the balance between solitude and community, artist and chef Jim Denevan roams across the US, transforming landscapes into breathtaking, sustainable dining experiences framed by ephemeral installation art.

The Real Beauty and the Beast (2013)
It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. His name: Petrus Gonsalvus, more commonly known today as the hairy hero of Beauty and the Beast.

Counter Shot: Departure of the Filmmakers (2008)
Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.
Style Wars In The Cutting Room (2014)
In the summer of ’83 a camera crew visited Valkhn Films, an editing house where Style Wars was being painstakingly spliced together. This 25 min piece is a rare glimpse at the process of telling a real story as it’s happening.

Pretty Woman, un conte de fées hollywoodien (2024)
Overknee boots that triggered a fashion wave, a legendary shopping spree to the iconic theme song - the 1990 romantic comedy "Pretty Woman" by Garry Marshall starring Julia Roberts and Richard Gere is still the genre's biggest box office hit. The modern fairytale about a rich man who falls in love with a prostitute and rescues her made millions dream and made 22-year-old Julia Roberts famous overnight.
Ink & Ivory (NaN)
An in-depth documentary on renowned film producer James Ivory, co-founder of globally acclaimed Merchant Ivory Productions.

Michael Curtiz: The Greatest Director You Never Heard Of (2012)
Documentary about the work of film director Michael Curtiz.

Almodóvar, todo sobre ellas (2016)
When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.

Hopper: An American Love Story (2022)
Countless painters, photographers, filmmakers and musicians have been influenced by Hopper's art – but who was he, and how did a struggling illustrator create such a bounty of notable work? This documentary takes a deep look into his art, his life, and his relationships from his early career as an illustrator; his wife giving up her own promising art career to be his manager; his critical and commercial acclaim; and in his own words—the enigmatic personality behind the brush…

Islamic Art: Mirror of the Invisible World (2011)
This ninety-minute film takes audiences on an epic journey across nine countries and over 1,400 years of history. It explores themes such as the Word, Space, Ornament, Color and Water and presents the stories behind many great masterworks of Islamic Art and Architecture. Narrated by Academy Award winning performer Susan Sarandon, this dazzling documentary reveals the variety and diversity of Islamic art. It provides a window into Islamic culture and brings broad insights to the enduring themes that have propelled human history and fueled the rise of world civilization over the centuries

The Corporation (2003)
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

Preston Sturges: The Rise and Fall of an American Dreamer (1990)
Documentary about the life and work of film director Preston Sturges.

The Paradox of Norval Morrisseau (1974)
In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.
The Lost Body of Alibech (2005)
Documentary about a lost sequence from Pier Paolo Pasolini's 1971 film "The Decameron".

Kieslowski: Dialogue (1991)
Documentary featuring a candid interview with Kieślowski and rare behind-the-scenes footage from the set of The Double Life of Véronique

John Singer Sargent: Fashion and Swagger (2024)
Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.