Swedish documentary film on consumerism and globalization, created by director Erik Gandini and editor Johan Söderberg. It looks at the arguments for capitalism and technology, such as greater efficiency, more time and less work, and argues that these are not being fulfilled, and they never will be. The film leans towards anarcho-primitivist ideology and argues for "a simple and fulfilling life".
Havana, From On High (2019)
The chronic shortage of housing in Central Havana has pushed the city upwards, where life spills out onto the rooftops. Resilient and remarkable, these rooftop dwellers have a privileged point of view on a society in the process of major transformation.
Collapse (2009)
From the acclaimed director of American Movie, the documentary follows former Los Angeles police officer turned independent reporter Michael Ruppert. He recounts his career as a radical thinker and spells out his apocalyptic vision of the future, spanning the crises in economics, energy, environment and more.
Moving Ice (2024)
Ice has always moved. When glaciation took hold some 34 million years ago, interconnected rivers of ice combined to produce the Earth's vast ice sheets. As temperatures slowly warmed glaciers developed a unique balancing act; advancing and retreating to calibrate their annual winter accumulation against summer melt. Sometimes calving colossal icebergs into the sea. A positive feedback loop that has regulated the movement of ice for millions of years.
From the West (2016)
A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.
Democracy Is ... (2009)
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
The Corporation (2003)
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
Fuel (2008)
Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.
The Great Contemporary Art Bubble (2009)
On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.
The Happy Worker - Or How Work Was Sabotaged (2022)
Our premise is that work has become an act of self-sabotage. Empty corporate jargon, ever-changing management fashions and self-serving bureaucracy masquerading as efficiency hijacked the purpose of work. Creative documentary The Happy Worker will show how we got to this point and the very human behavior that led us here. We want to show how this unhealthy system is maintained and what keeps us from calling bullshit.
What Would Jesus Buy? (2007)
A serious docu-comedy about the commercialization of Christmas. What Would Jesus Buy? follows Reverend Billy and the Church of Stop Shopping Gospel Choir as they go on a cross-country mission to save Christmas from the Shopocalypse: the end of mankind from consumerism, over-consumption and the fires of eternal debt!
Bananaland: Blood, Bullets & Poison (2016)
For consumers, bananas are a delicious and nutritious start to the day, a healthy snack and a fixture in our fruit bowls. For millions of residents in the banana lands, the production of bananas means social upheaval, violence and pesticide poisoning. Banana Land explores the origins of these disparate realities, and opens the conversation on how workers, producers and consumers can address this disconnect.
Enron: The Smartest Guys in the Room (2005)
A documentary about the Enron corporation, its faulty and corrupt business practices, and how they led to its fall.
The New Corporation: The Unfortunately Necessary Sequel (2020)
Two decades after the initial exposé of the corporation, this follow-up unveils a world now fully remade in its image and perilously close to fascism.
A Day in the Life of a Consumer (1993)
The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.
The Flickering Flame (1996)
Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.
Derren Brown: The Great Art Robbery (2013)
In this brand new episode, master illusionist and showman Derren Brown plans to pull off the perfect crime. He’s bet renowned art collector Ivan Massow that he can steal a painting from right under his nose. In true Derren style, he will tell Ivan exactly which painting he plans to target – a work by Turner-nominated British brothers Jake and Dinos Chapman no less – as well as what time the theft will happen. He’ll even give him a photograph of the person that’s going to take it.
The Family (2016)
Anne Hamilton-Byrne was beautiful, charismatic and delusional. She was also incredibly dangerous. Convinced she was the reincarnation of Jesus Christ, Hamilton-Byrne headed an apocalyptic sect called The Family, which was prominent in Melbourne from the 1960s through to the 1990s. With her husband Bill, she acquired numerous children – some through adoption scams, some born to cult members – and raised them as her own. Isolated from the outside world, the children were dressed in matching outfits, had identical dyed blonde hair, and were allegedly beaten, starved and injected with LSD. Taught that Hamilton-Byrne was both their mother and the messiah, the children were eventually rescued during a police raid in 1987, but their trauma had only just begun.