Wawa (2008)
Garance has just lost her Wawa. It’s going to be picked up, rolled around, transported, thrown away, carted off, dragged off, snatched up, shot, smashed, trampled, given away, pushed around, stolen, soiled, forgotten, chewed on, slapped, crushed, banged up, and found again. This is the story of the unfortunate trip of a stuffed dog through the streets of Paris.

Panda Syndrome (2004)
A young boy, Bjørn, discovers on his 17th birthday that his problems with the girls might not be self-inflicted.

Cruel Intentions (1999)
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.

Annaluise & Anton (1999)
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

Shrek (2001)
It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.

Moulin Rouge! (2001)
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

Sleepless in Seattle (1993)
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.

Tsotsi (2005)
A young South African boy from the Johannesburg ghetto named Tsotsi, meaning Gangster, leaves home as a child to get away from his helpless parents. Now a teenage thug, Tsotsi finds a baby in the back seat of a car he's just stolen. He decides that it is his responsibility to care for the infant and in the process learns that maybe the criminal life isn’t the best way.

An Old Lady (2020)
Hyo-jeong, a 69-year-old woman, is raped—but few people, including the police, are willing to believe what she says.

Good Romance (2001)
In a month, Mi-hyeon visits Weon-kyu, who lives in the provinces. Mi-hyeon, 33, and Weon-kyu, 18. In the inn, the uneasiness of their relationship explodes, but they realize each other's affection.

The Last Letter from Your Lover (2021)
A young journalist in London becomes obsessed with a series of letters she discovers that recounts an intense star-crossed love affair from the 1960s.

Soak the Old (1940)
Part of MGM's "Crime Does Not Pay" series, this short film focuses on crimes revolving around pension scams.

The City (1963)
Three stories (Love, Heart, The Hoop) set in the urban, alienated world of a big city. It tells how thin is the line between melancholy and depression.

The death of the minotavr (2022)
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.