Chicago hotel clerk Frank Harris dreams of life as a cowboy, and he gets his chance when, jilted by the father of the woman he loves, he joins Tom Reece and his cattle-driving outfit. Soon, though, the tenderfoot finds out life on the range is neither what he expected nor what he's been looking for...
Related Movies
Breakheart Pass (1975)
At the height of the frontier era, a train races through the Rocky Mountains on a classified mission to a remote army post. But one by one the passengers are being murdered, and their only hope is the mysterious John Deakin, who's being transported to face trial for murder.
The Three Burials of Melquiades Estrada (2005)
When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.
Hang 'em High (1968)
Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.
Fargo (1952)
The brother (House Peters Jr.) of rancher Bill Martin (Bill Elliott) is killed in a stampede started by cattleman. Bill returns to the Fargo country to take his brother's place and is welcomed by law-abiding cattleman MacKenzie (Jack Ingram)) and his daughter Kathy (Phyllis Coates). The leader of the ruthless cattle interests are townsman Austin (Arthur Space) and his henchmen Red (Myron Healey), Link (Robert J. Wilke) and Albord (Terry Frost). Bill has the idea of putting up barbed wire to keep the herds from been driven over the land cultivated by the farmers. He, aided by Tad Sloan (Fuzzy Knight), produces the wire by make-shift methods, but it proves effective. The cattleman charge in court that the wire is dangerous to their herds but lose the case. Austin orders his men to seize Bill, bale him in strands of the wire, and throw him on the stage of the town hall during a fall festival. Bill doesn't take kindly to this and it precipitates open war.
The Homesteaders (1953)
Homesteaders Mace Corbin and Clyde Moss pick up much needed dynamite and begin a journey to transport it from an army fort to their homes, hiring a crew of ex-soldiers just released from the army prison. Mace knows he's got his work cut out for him with unstable dynamite, undisciplined hired hands and possible hostile Indians but he doesn't have the slightest hint that his trusted friend Clyde has betrayed him.
The Secret Man (1917)
Convict Cheyenne Harry escapes from prison in a garbage truck and boards a train, where he eludes capture with the help of passenger Henry Beaufort. Beaufort is returning to his wealthy uncle's ranch, where earlier he had married Molly in secret because his uncle did not like her. Beaufort tells Pedro, who takes care of his child Elizabeth, to take her away because his uncle is coming, and Pedro, driving drunk, wrecks the wagon. Harry finds her and must protect her while still evading the sheriff.
Duel at Diablo (1966)
In Apache territory, a supply Army column heads for the next fort, an ex-scout searches for the killer of his Native wife, and a housewife abandons her husband to rejoin her Apache lover's tribe.
City Slickers (1991)
Three New York businessmen decide to take a "Wild West" vacation that turns out not to be the relaxing vacation they had envisioned.
Frontier Outlaws (1944)
Billy Carson, looking for rustlers, kills Bradley in a gun fight. Arrested, the judge finds him innocent but jails him anyway. When the rustling resumes he is released and posing as a Mexican cattle buyer he hopes to trap the culprits.
Legends of the Fall (1994)
In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.
Giant (1956)
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
Red River (1948)
Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.
The Treasure of the Sierra Madre (1948)
Two jobless Americans convince a prospector to travel to the mountains of Mexico with them in search of gold. But the hostile wilderness, local bandits, and greed all get in the way of their journey.
Shane (1953)
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
Jesse James Meets Frankenstein's Daughter (1966)
Dr. Frankenstein's Granddaughter Maria, and her brother assistant Rudolph, moved to the old west because the lightning storms there are more frequent and intense, which allows them to work on the experiments of their grandfather. But the experiments are failing and Rudolph's been secretly killing the corpses afterwards. Meanwhile, the Lopez family leaves the town because of the evil going on there
The Great Adventures of Wild Bill Hickok (1938)
A group of "Phantom Raiders" interfere with a cattle drive from Texas to Abilene; fortunately, U.S. Marshal Wild Bill Hickok is appointed to ensure the success of the mission.
Ammunition Smuggling on the Mexican Border: Incidents of the Mexican Revolution (1914)
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.
Hardcase (1972)
A man thought-dead comes home to find that his wife has sold their ranch and married a Mexican revolutionary.
