Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.

The Miranda Murders: Lost Tapes of Leonard Lake and Charles Ng (2017)
Delve into the minds of serial killers Leonard Lake and Charlie Ng with this horrifying found footage film, spanning the 1983-1984 killing spree that shocked California and the nation.

The Kid Stays in the Picture (2002)
Documentary about legendary Paramount producer Robert Evans, based on his famous 1994 autobiography.

Going to Hell (2019)
A documentary film exposing the truth about psychics and fortune-tellers. All the ins and outs of magical TV shows and services of the most famous psychics with evidence, names and prices.

Josie: The Most Hated Woman in Britain? (2015)
Following fame-hungry Josie Cunningham. She's occupied the media spotlight by creating as much controversy as she can, but at what cost?

Rewind (2017)
A mysterious natural phenomenon sets an end to the party night of a group of young adults. The morning after begins with far more than just a hangover.

Nightcrawlers (2019)
For five years, Stephen McCoy documented street life in Boston. This is what he captured.

Nobody Wants Your Film (2005)
Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

Soft Self-Portrait of Salvador Dali (1969)
A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.
Portrait of an Artist: Marcel Janco, Dada Artist (NaN)
A documentary produced by the Israeli film service. "I believe that every artist needs to be reborn", declares Marcel Janco, one of the co-founders of the Dada movement. Janco, 82 during filming, tells in this film about his various periods as an artist: from the first sketches on a school notebook, to the foundation of the Dada in Zurich, ending with foundation of the artists' village Ein Hod in Israel
1/57: Experiment with Synthetic Sound (Test) (1957)
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Semi Colin (2012)
Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life's obsessive work as an erotic artist.
Area 51: The Alien Interview (1997)
A documentary about aliens and UFOs with re-enactments of alien interviews and video of a supposedly real video of an alien being interviewed by government officials.

Billy Connolly: Portrait of a Lifetime (2017)
Celebrating Billy Connolly's 75th birthday and 50 years in the business, three Scottish artists - John Byrne, Jack Vettriano and Rachel MacLean - each create a new portrait of the Big Yin. As he sits with each artist, Billy talks about his remarkable life and career which has taken him from musician and pioneering stand-up to Hollywood star and national treasure.

I'll See You Again (2022)
A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
Inventory (2008)
A documentary by Olivier Gonard, shot partly in Paris’s Musée d’Orsay, that examines Olivier Assayas' film Summer Hours, and its approach to art.

Pedro (2022)
'Pedro', Liora Spilk's debut feature, paints a humorous and emotional portrait of Pedro Friedeberg, a Mexican plastic artist who became famous in the sixties for the creation of the hand chair. Between grumblings, ironies, reflections on art and disagreements, 'Pedro' achieves an endearing portrait of Friedeberg, and at the same time presents a tribute to friendship and creation.

Where do they all go? (2015)
94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?
Art as a Weapon (2014)
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

What the Darkness Cannot Extinguish: The Storytelling Madness of Clifford George (2023)
A feature-length documentary celebrating the life and work of Trinity Bay artist and storyteller Clifford George.

John Singer Sargent: Fashion and Swagger (2024)
Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.