Bright Lights: Starring Carrie Fisher and Debbie Reynolds (2017)

Women of Today (1958)

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

Eyes on Russia: From the Caucasus to Moscow (NaN)

An extremely rare subject by the famed still photographer. A 1934 short.

Lila (NaN)

A 1980 short about the life and work of 80-year-old practicing psychiatrist Lila Bonner-Miller, who is at once a doctor, a church leader, an artist, a great-grandmother, and a remarkable example to all who know her.

Olympia: Part One – Festival of the Nations (1938)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty (1938)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Patsy Mink: Ahead of the Majority (2008)

In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.

Ancestral Voices (2011)

An educational documentary spanning two continents, opening up a much-needed debate about traditional African spiritual systems; their cosmologies, ideologies and underlying ethical principles. Modern science no longer refutes the origins of mankind being in Africa and similarities in the cosmological ideologies of African esoteric systems with those found many established world religions today, suggest that it was not only people that migrated, but also concepts and themes that then provided bedrock for the formation of other systems of belief.

My Millennial Life (2016)

My Millennial Life is an intimate and entertaining observational documentary, featuring five dynamic 20-somethings. Set against the backdrop of underemployment, high unemployment, and uncertainty, the film presents the subjects' longings, challenges and dreams to make a mark in the world.

i hate myself :) (2017)

Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with an open-mic poet provocateur. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.

Murdered and Missing in Montana (2021)

A documentary examining the mysterious deaths of three young Indigenous women in south-central Montana, featuring access to family members, tribal officials, law enforcement, and community activists.

Journey Into Dyslexia (2011)

Addresses misunderstandings of learning differences and demonstrates potential in dyslexic persons.

Late For My Mother's Funeral (2013)

Former Portland director Penny Allen’s (PROPERTY, PAYDIRT) new film is the intimate, turbulent portrait of a French-Algerian-Moroccan family residing in Algeria and adrift following the death of their mother, Zineb, a notorious smuggler of gold and jewels. Filmed over the course of three years, the film finds its own space between documentary and fiction as the family’s story brings to life the complexities of cross-border identities, the influence of political context on individual lives, and the importance of the mother figure in Arab/Islamic cultures

Blindsight (2006)

Six blind Tibetan teenagers climb the Lhakpa-Ri peak of Mount Everest, led by seven-summit blind mountain-climber Erik Weihenmayer.

The Other Side of Carnival (2010)

The Other Side of Carnival (2010) is a 45-minute award-winning documentary that explores Carnival's social and economic impact on Trinidad & Tobago. With more than 60 interviews from professors, medical staff, police officers, government officials, students, tourists, every day locals and more, The Other Side of Carnival is able to highlight that while Carnival is an exciting occasion, it is a festival that creates turmoil, which is not widely visible...or is it just simply ignored? Known as "The Greatest Show on Earth", this documentary captures the roots of Carnival and how far some go to keep the original idea alive, and how others attempt to integrate change. Consummating over two years of research and interviews and with the coordination of a multi-national crew (Trinidad & Tobago, US and UK), The Other Side of Carnival does not pass judgment on Carnival in Trinidad & Tobago, but aims to bring an awareness of the type of influence that Carnival has on the population.

Like Water Through Stone (2009)

In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.

A Man, When He Is a Man (2023)

What are the social climate and cultural traditions in Costa Rica which nurture "machismo" and allow the domination of women to continue in Latin America?

Microcosmos (1996)

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Three of Hearts: A Postmodern Family (2005)

In his early twenties, Sam Cagnina, oldest son of a Mafia hit man, meets Steven, a handsome 19-year old college student and they fall in love. Then, after a few years Sam offers Steven a "visionary" idea. What if they could find a woman who would fall in love with both of them and agree to live in a "trio" relationship? They spend the next 7 years dating and looking for that special woman. Finally, they meet Samantha, a young, struggling actress. THREE OF HEARTS explores this very unique trio union as they negotiate their living arangements, fall in love and open one of the hottest wellness centres in New York City. Everyone who comes in contact with them is never quite sure how the relationship works. But the one thing which seems certain is their love for each other.

Growing Up Female (1971)

Focuses on the socialization of American females. It tells the story of six women and girls. The first film to emerge from the modern women's movement in the early 1970s.

A Young Girl in Her Nineties (2016)

In the geriatric care section of the Charles Foix d’Ivry hospital, Thierry Thieû Niang, a famous choreographer, is running a dance workshop for Alzheimer’s patients. Through dance, lives are told, memories recounted: regrets, bitterness, moments of joy and solitude. Blanche Moreau is 92 years old. During the filming, she has fallen in love with the choreographer Thierry. The simple fact of falling in love being crazy enough as it is, there’s no longer anything else mad or delirious about Blanche: her illness has simply become lovesickness.