All alone, Yellow Guy tries to stop a lamp from teaching him about dreams. While Red Guy finds out the truth about the puppets' existence.
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Newtonian I (1978)
An illusion of 3 dimensions is achieved by a blending of mathematics and physics to carry the spectator through a new range of audio and visual dynamics.
Newtonian II (1978)
This film is strongly rooted in its underlying mathematical structure which forms the basis for the images. The music by Jean Claude Risset is integral to the creation of this concert of space and time.
L'oiseau (1977)
A single bird in flight is transformed, enhanced and interpreted so as to present a unique visual experience. From its original inception in a 128 frame black-and-white sequence it evolves by programmed reflection, inversion, magnification, color transformation and time distortion into the final restructured film as art.
Bagatelles (1977)
Abstract images of frame-by-frame animation with subtle growing effects of crystals are enhanced by polarized colors.
La Spiritata (1976)
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Fantasies (1976)
Computer generated images used as counterpoint to music “Fantasia & In Nomine” by John Ward, performed by Elizabeth Cohen, Max Mathews, and Gerard Schwarz.
Kinesis (1975)
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Alae (1975)
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Metamorphosis (1974)
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Galaxies (1974)
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Mayan (1974)
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