Helena, a woman in her early 40's, is obsessed with getting pregnant. After failing her last try, her neighbors get back from the hospital with their new born baby. Helena breaks in to their house when they´re gone, steals the baby monitor and starts listening to what happens next door.

TransParente (2022)
By approaching the process of sexual reassignment, the work mixes data and experiences, focusing on family relationships and the nuances of the feminine.

Mamífera (2024)
Lola (40) enjoys a happy life until an unforeseen pregnancy throws her plans into disarray. Resistant to motherhood and confronted by societal expectations, Lola and her boyfriend, Bruno, deal with the situation. As Lola confronts her inner fears about the repercussions of not embracing motherhood, she embarks on a quest for answers. Unexpectedly, Bruno reveals his desire to become a father, adding further tension and complexity to Lola's search for clarity about her future amidst pressure to conform to societal norms.
Pop Switch (2009)
After years of failing to get pregnant, Frank's baby-crazed wife, Estelle, forces the issue by secretly putting them back on the adoption wait list. When Estelle receives a phone call about the possibility of an available child, Frank must suddenly decide whether he's committed to becoming a "Pop" or not.

Private Life (2018)
Richard and Rachel, a couple in the throes of infertility, try to maintain their marriage as they descend deeper and deeper into the insular world of assisted reproduction and domestic adoption.

De ida y vuelta (2001)
After working for three years in the USA, Filiberto returns to his home town in Mexico. A proud man, he is searching for the recognition that will give him a new position in life. However, he finds that things have changed. His mother is dead, and Luis, his best friend, is married to his ex-girlfriend. Filiberto gets involved in the town’s disputes over a water spring.

Father's Affair (2003)
Armin is in crisis. One fateful day he discovers he is infertile and has been throughout his life. From this he discovers his first wife, Monika, was unfaithful before she died. How else could she have the child that Armin always thought was his? His paranoia drives him to find the truth.

Dama de Noche (1993)
Bruno, a novelist with no luck goes to call for help from his love always sofia, who is in Veracruz desolate without knowing what to do with the corpse of her boyfriend who died because of a heart attack while they made love

Spring (2014)
Elba is an introverted and lonely fourteen year old teenager that lives with Fernanda, her older sister. The sisters don't get along and their mother is abset. Fernanda decides to runaway, but before she does Elba reaches out to her.

Behind the Scenes: I've Been Here Alone (2023)
Hasan (33), who works as a sales manager in a construction company, and his wife Farida (30) have not been able to have children for a long time. After a doctor's examination, Hasan learns that he is infertile. But Hasan, who is afraid of harming his masculinity, hides this information from his wife. At the insistence of Hasan's mother, who thinks that the problem is in Sevda, they go to a midwife who lives in a village for treatment.

Down to the Bone (2004)
A woman stuck in a stale marriage struggles to raise her children and manage her secret drug habit. But when winter comes to her small town, her balancing act begins to come crashing down.

Leila (1999)
This film tells the story of a semi modern Iranian couple, who are trying to fight the old beliefs and old generation. This is a failing battle because the man is not strong enough.

Mamas & Papas (2010)
The four stories in the film form a mosaic of the fates of several married or partner couples who, at a certain turning point in their lives, are dealing with issues of wanted, unwanted, desired, or thwarted parenthood. The intention of screenwriter and director Alice Nellis is to use the parallel narration of several stories to show that the problem of modern parenthood is broader and deeper than the specific situation of any individual character. The number one domestic director once again comes up with a story that can touch viewers regardless of age or status. Each of the stories told about the desire for a child, the fateful decision of whether to have a child or not, or the effort to cope with the pitfalls that life has placed before us, could be your own.

The Violin (2005)
In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.

Baby Blues (2013)
Natalia is a 17-year-old mom living with her mother and son, Antos. She wanted to have a baby because it was a “cool” thing to do, and because she feels she has someone to love; someone who can love her in return. Everything changes when Natalia’s mother decides to move out, giving Natalia a chance to lead a “normal life.”

Only You (2019)
A madly-in-love young couple's relationship begins to suffer when they struggle to conceive a child.

More Than Anything in the World (2007)
The relationship between beautiful Emilia (Elizabeth Cervantes) and her imaginative young daughter, Alicia, is tested in this understated Mexican drama. Disoriented after moving to a new apartment and left to herself when her mother starts bringing men home, Alicia takes refuge in dreams that soon become nightmares, especially after she begins to fear that her mom has become possessed by the vampirish man next door. With a keen eye for the rhythms and struggles of contemporary Mexican family life, this film illuminates the secret worlds of lonely children while never straying from its true subject: the uncommon love between a single mother and her child.