Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.
AFI: I Heard a Voice (2006)
I Heard a Voice is the first live DVD from AFI that was released on December 12, 2006. The concert was filmed at the Long Beach Arena in Long Beach, California on Friday, September 15, 2006. Part of the Decemberunderground Tour, the crowd was the largest AFI had ever headlined with over 13,000 people in attendance. The title of this DVD is lifted from a line of poetry in the decemberunderground CD booklet. Underneath the song 37mm, it says: "The power went out. I turned on the radio. The power went out. I turned on the radio. The power went out. I turned on the radio....I heard a voice." The moth on the case is also from the decemberunderground booklet.
Playboy's Girls Next Door - Naughty and Nice (1997)
Nothing beats the enticing appeal of those alluring girls next door. Now they're all grown up and ready to take you on a series of rousing rendezvous that are naughty... and oh so nice!
Playboy Wet & Wild: Slippery When Wet (2000)
Good clean fun has never been so sexy! See what happens when you bring together the world's most beautiful women and put them into one slippery scenario after another. They shed their inhibitions - and their teeny bikinis - in the hottest, wettest, wildest scenes yet.
Nana (2005)
Two girls named Nana meet on a train to Tokyo. Nana K. aims to reunite with her boyfriend and Nana O. hopes to make it big in the music business. Despite their differences, the pair hit it off and become roommates.
The House of the Three Girls (1958)
Vienna, 1826. The penniless composer Franz Schubert lives with friends in the house of court glazier Tschöll and his wife. Because of their three beautiful daughters, Hederl, Haiderl, and Hannerl, the property is called the "Three Girls' House." Hederl and Haiderl celebrate a double wedding with the gentlemen, master saddler Bruneder and postmaster Binder. Due to an intrigue by soprano Lucia Grisi, Hannerl, with whom Schubert is in love but dares not reveal herself, turns away from him and marries singer Franz von Schober. Schubert is left with nothing but music.
Welcome Home Freckles (2025)
After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.
DFW Punk (2008)
DFW Punk, covering the Dallas/Ft. Worth punk/new wave scene. If you thought Texas in the late ’70s was all about urban cowboys, country tunes and bible-thumping, get ready to be proved dead wrong. 2007, MiniDV.
SLC Punk (1998)
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
Holy Hell (2016)
An inside look at a West Hollywood cult formed by a charismatic teacher in the 1980s that eventually imploded.
Homo Promo (1993)
Here are theatrical trailers for 27 mainstream and art-house films, presented chronologically from "Tea and Sympathy" to "Outrageous!" This spectacular showcase of vintage movie trailers offers a crash course in lesbian, gay, bi and transgender (LGBT) movie history and a colorful look at nearly every major mainstream queer-themed film produced between 1953 and 1977! Archivist Jenni Olson is one of the world’s leading experts on LGBT film history — curated from her private collection of rare original 35mm coming attractions trailers, Homo Promo has entertained audiences at LGBT film festivals around the world offering a campy cavalcade of coming attractions. Please note: The condition of these original 35mm archival prints varies — enjoy the wear and tear and rest assured that they have now all been donated to the Outfest/UCLA Legacy Project for LGBT Film Preservation where they are now being properly cared for.
Vivement Truffaut (1985)
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
The Lovers and the Despot (2016)
Hong Kong, 1978. South Korean actress Choi Eun-hee is kidnapped by North Korean operatives following orders from dictator Kim Jong-il.
Cosmic Psychos: Blokes You Can Trust (2013)
Form small beginnings on a Victorian farm to globetrotting punk rock icons, the Cosmic Psychos became one of Australia's most influential bands. Now after thirty years of music making, 'Cosmic Psychos: Blokes You Can Trust' documents the highs and lows of the group's musical career as told by members from the Melvins, L7, Mud Honey, Pearl Jam, and The Hard-Ons with other international music producers and from the Cosmic Psycho band members themselves.
Kanarie (2018)
Kanarie (Afrikaans for 'Canary') is a coming-of-age musical war drama. Drafted into the South African army during apartheid, a young soldier joins the military's traveling choir, and romance on the battlefield causes him to deal with his long-repressed sexual identity through hardship, camaraderie, first love, and the liberating freedom of music, the true self can be discovered.
Marin Blue (2008)
Marin and Jim are two outsiders, drawn together by a shared history unknown even to them.
Circus (2022)
We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?