A small cabin. A beautiful view. Two souls live seemingly happy lives, their every need met by machines of their own making. But as the days drag on and their routines grow weary, one's souls freedom becomes anothers prison.
Confusion of the Afternoon (2023)
Two boys play poker on a dull afternoon. As one boy inadvertently touches and makes eye contact with the other, it sparks a beautiful, imaginative dance.
The Little Fox (1981)
A tale about a little fox Vuk from the novel of the famous Hungarian writer István Fekete.
The District (2004)
In an effort to end family feuding, a young gypsy travels back in time to kill mammoths to ensure Hungary becomes rich by killing mammoths in order to create a massive oil reservoir. Things don't go entirely according to plan...
Animal Kingdom: Let's Go Ape (2015)
Based on the novel 'Evolution Man' by Roy Lewis, this tells the story about the first man - young Edward - to descend from apes. Edward is ejected by his tribe, but is very resourceful. He learns to walk, discovers fire, manages to hunt - and we follow him as he evolves. He has a generous nature, and search for true humanity - a world where we don't eat our fathers.
A Teacher of Singing (1968)
Hippo came to the teacher of singing, but all the efforts of the maestro do not help (neither hearing nor voice). It was necessary for the student to simply swallow the teacher, and he sang with a beautiful, alien voice.
Rudolph's Shiny New Year (1976)
Rudolph must find Happy, the baby new year, before the midnight of New Year's Eve.
Vincent (1982)
Young Vincent Malloy dreams of being just like Vincent Price and loses himself in macabre daydreams that annoy his mother.
Vodka Monster (NaN)
Vodka Monster is a story that reflects the trials of love, loss and the endurance of the human spirit to re-commit to live life once again.
A Horseshoe Crab Story (2023)
A short time lapse stop motion animation of horseshoe crabs coming ashore on a midsummer's eve.
This Time Around (1989)
The camera breathlessly traverses landscapes and whirls into abstraction, all the while eye-ing fanciful foreground objects of domestic life doing their own dizzy dervish choreography, until the hand of the artist reveals the true scale. Just out of camera view are Aaron’s hand-made rigs that guide the dynamic movement.