When Jade, a web-cam girl, visits Takeko's tattoo studio she becomes entranced with the image of the spider lily and with Takeko as well. In order to get closer to the object of her desire, Jade asks Takeko to give her the same lily tattoo, challenging Takeko's monastic existence and opening up memories which threaten to tear the two women apart.

Grand Guignol (2022)
At an isolated reform school, transfer student Itsuki joins a drama group—but when real murders mimic their dark plays, fear, love, and secrets spiral out of control.

Hedwig and the Angry Inch (2001)
Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.

Since Otar Left (2003)
The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.

Japanese Story (2003)
Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on Earth.

Sister Wives (2024)
Two young women living in a strict, fundamentalist, polygamous society, Kaidence and Galilee, find themselves bound to one another, under the same roof, in the same marriage, as they develop scary, new, exciting feelings for each other. In a harsh, regressive, watchful community where being queer is considered a cardinal sin, they begin having thoughts of leaving the only life they have ever known behind.

The Weight of Water (2001)
A newspaper photographer researches an 1873 double homicide and finds her own life paralleling that of a witness who survived the tragic ordeal.

The Dead Girl (2006)
The clues to a young woman's death come together as the lives of seemingly unrelated women begin to intersect.

Annalyn (2012)
Agnes is not satisfied with her life. She wants a change, but her relationship with her single parent father and dominant girlfriend inhibit her to do something about it. When the father introduces his new wife, Annalyn, everything changes. The same-aged Filipino stepmother helps Agnes see a new path. Soon emerges something that no one could have foreseen.

The Extremists' Opera (2016)
The semi-biographical The Extremists' Opera follows the everyday and inner struggles of a women-only alternative theater group delivering explosive and politically controversial explosive stage performances under the control of tough mannered director Naoko.

Ela Só Pode Estar Afim (2023)
An LGBTQIAP+ romantic comedy short film in which the protagonists Clara and Heloísa have the same objective: to win Daniel's heart. Between barbs, clashes, and surprises, the two will face each other face to face to free what they want so much.

Carlotta (2014)
How many working class Balmain boys grow up to be showgirls? Not just any showgirl but a household name, a legend of Kings Cross, a daytime TV star, and a symbol of generational change.

Koma (2009)
Kawase explores the fragile and often tense history between Korea and Japan through the relationship that develops between a third generation Korean-Japanese man, who unexpectedly visits the small and quiet village of Koma, and a Japanese woman, a somewhat mysterious inhabitant of the village.

The Beautiful Woman Without Mercy (1921)
"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center

The Aggressives (2005)
Soyo, a quiet high school student, discovers inline skating. Mesmerized by the elaborate skating skills of Mogi, a member of the group, Soyo joins their team. Soyo's life is gradually consumed by the world of inline skating.

Rankô saimin watashi wa kôshite bôkôsareta (1996)
This is the story of a man who comes into possession of a dream-like aphrodisiac.

The Dark of Night (2017)
The night turns dangerous when a woman seeks refuge from a storm in an isolated diner. Everyone has a secret and nothing is what it seems.

Consent (2017)
After meeting online, a woman allows a virtual stranger into her home to fulfill an agreement.

Happy Endings Sleepover (2019)
American CIA Field Operative, Johnnie Allen, is assigned to Denmark for his first mission. An American spy highly placed in the Kremlin is to be spirited out of Russia, and it is Johnnie's job to get him safely to Antwerp where the agent will board a freighter. Johnnie, who is a young gay man, meets and falls in love with a Danish lad named Sander, who is apparently straight. Wanting to keep his friend close to him, he makes the mistake of bringing him on the mission. What will become of their friendship if Johnnie confesses his love to Sander? And is the Russian agent all he seems to be? Set against a backdrop of European espionage, Happy Endings Sleepover is a celebration of gay youth in a world where love should never be Top-Secret.

Annaluise & Anton (1999)
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.