A romantic escape into nature turns into the ultimate moment of reckoning when a husband and wife are trapped in a tent with a deadly snake. Unable to escape and with certain death looming, the tent becomes a heated confessional to a cataclysmic truth. Betrayed, the couple finds themselves spiraling into a dark and dangerous space of which only one can survive.
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For Those Who Hunt the Wounded Down (1996)
Jerry Bines is trying to live down a past that includes killing a man (in self-defence), theft and an alcoholic, abusive father. He sees hope for redemption by providing life-giving bone marrow to his leukemia-stricken son. But time is running out because an escaped killer (Gary Percy Rils) is coming to town to exact revenge for ancient sins. And like the old buck in a backwoods tale he spins for his kid, Bines must stop running and turn to face his hunter.
The Peacemaker (1997)
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Esther's life is panning out nicely. She will soon move in with her boyfriend Vincent and she seems set to get a permanent position at the public relations company where she freelances. All would be fine if Esther didn't accidentally discover a piercing curiosity about her own body.
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The Bitch (1984)
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Munchies (1987)
Simon Watterman, a space archaeologist, discovers the "Munchies" in a cave in Peru. Cecil Watterman, Simon's evil twin brother and snack food entrepreneur, kidnaps the creature. What Cecil does not know is that the creature, when chopped up, regenerates into many new creatures and are they mean!
Subway in the Sky (1959)
Berlin provides the backdrop for this crime drama that centers on a military doctor falsely accused of dealing illegal drugs. Determined to prove his innocence, he escapes from the MPs and ends up holing up in the apartment his wife rented. He doesn't know that she has sublet the flat to a nightclub singer. When he finds out, he begs the singer to assist him. She is attracted to him and agrees. The doctor believes that his wife is behind the black-market dealings, but in the end, they find the real culprit.
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Verdict: Not Guilty (1933)
Part religious allegory and part church pageant, it presents the heavenly trial of a woman who has died giving childbirth out of wedlock. The jailer wears a mask death's head mask and a nun's habit with a skull and crossbones on the front and God sits on an altar, flanked by angels, while the devil attempts to convict the woman for her sins. Shot with a handheld camera that doesn't always remain steady or keep the scene in frame, it is full of religious imagery and evocative folkloric elements, with flashbacks to the woman's life that provide a realism in sharp contrast to the allegorical pageantry. It shows its amateur origins, the texture, the pageantry, and the allegorical and ritualistic elements also looks forward to the American Underground cinema of Kenneth Anger, Curtis Harrington, and others in the 1950s and 1960s.
