Varsham (2014)
The film narrates the tale of Venu, owner of a small finance company in Thrissur. His life is shaken up after some unprecedented events leaving him at a dead end. This movie is about how he finds a purpose to live.
Munnariyippu (2014)
Raghavan, a simple and lonely man, comes out of jail. His life changes after he meets Anjali, a journalist who wants to prove herself professionally.
Pathemari (2015)
Pathemari features the life of Pallikkal Narayanan who migrated to the Middle-East in the early 1980s, when the Kerala Gulf boom was at its peak.
Newspaper Boy (1955)
Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.
Buddhanum Chaplinum Chirikkunnu (2016)
It is a hundred years since Charlie Chaplin,artist nonpareil,appeared on the silver screen mesmerizing audiences across the globe.His signature mustache and derby hat have left their indelible imprint on the annals of film history.Buddha and Chaplin smile is a film that pays homage to Chaplin at the centennial commemoration of his acting career.The film portrays an Indian comedian Indraguptan,who idolized Chaplin.He believes his life resembles Chaplin and nurtures the desire to depict his hero on the big screen.However,he rules out a blind imitation of the late legend.The narrative revolves around his comic wisdom and quest for true love.The dilemma that ensues is the crux of the story.
Jeevitha Nouka (1951)
Soman is brought up by his elder brother Raju and his shrewish wife Janu. Soman is in love with Lakshmi, the daughter of a poor village performer Kaniyan who belongs to a lower caste. Raju, employed by the zamindar and Janu resent the inter-caste marriage between Soman and Lakshmi.
Elektra (2010)
Abraham, the planter comes from Jaffna to his ancestral home in central Kerala unaware of the unpleasant things waiting for him. On the night of his arrival, he dies under mysterious circumstances and the cloud of suspicion falls on everyone.
Daffedar (2016)
Daffadar is the story Ayyappan, a 65 years old honest, sincere, and compassionate security personnel (Daffadar) of the Collector for over 40 years. Evenafter his retirement he dresses as Daffadar and goes to the Collectorate every day
Ka Bodyscapes (2016)
Three young people—Haris, a gay painter; Vishnu, a rural kabaddi player and their friend Sia, an activist who refuses to conform to dominant norms of femininity—struggle to find space and happiness in a conservative Indian city.
Sakhavu (2017)
Comrade Krishna Kumar wants to make it big in politics but lacks the ideals a sakhavu should possess. He is ruthless enough to even get rid of friends who might be possible hurdles on his way up. His paths cross with that of a veteran comrade, sakhavu Krishnan and the film depicts how his life influences Krishna Kumar.
Tiyaan (2017)
The lives of a vedic scholar Pattabhiramagiri and his family come under threat after a godman and his goons try to displace him from his centuries-old ancestral home as part of building an ashram. The “curse” that befalls Pattabhiraman in the face of opposition leaves him broken, till a mysterious ally lends him his support. Their fight against the evil forces forms the rest of the plot.
Kappiri Thuruthu (2016)
The story of the film goes through the time of H. Mehboob, who tell us the story of the slavers and Jews, who worked for the Dutch and Britishers who ruled over India. It tells us the songs of Cochin that go beyond caste, creed and nation.
C/O Saira Banu (2017)
Saira Banu, a post woman and a single mom, is caught unawares when her son Joshua Peter, a law student, gets entangled in a legal hassle. The opponents in the case are a bunch of affluent and powerful names of the society. How would the middle-class woman help her son?
Kaalapani (1996)
Govardhan, a doctor by profession, is wrongly accused of bombing a train and is jailed by the British in Cellular Jail, also known as Kala Pani in Andaman and Nicobar Islands. He witnesses sufferings of hundreds of Indian prisoners there.
Kaadu Pookkunna Neram (2016)
A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.
2 Penkuttikal (2016)
2 Penkuttikal discussed the issues faced by young girls and women in our society. Achu and Anagha are close friends, who decide to bunk their class to visit a mall in the city.Their visit to the city changes their life and what happens next form the crux of the film
Ohm Shanthi Oshaana (2014)
Pooja Mathew, a spirited young girl, wants to have a love marriage in her life. Thus, she stops at nothing to impress Giri, who saved her once from a group of unruly men.
Papilio Buddha (2013)
A band of displaced untouchables in Western Ghats of India embrace Buddhism in order to escape from caste oppression.
Pattam Pole (2013)
Karthi and Riya elope one early morning to Ooty, fearing that the elders in the family will not accept their inter-religious relationship. They return to their respective homes after a couple of days after having a fight. They convince their loved ones that they hate each other and vow never to see each other again. The film would then trace the eventual course of their lives.
Kadhaveedu (2013)
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.