In a remote village in Eastern Europe, around 1900, the young Motl Mendl is entranced by the flickering silent images on his father's cinematograph.
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RiffTrax Live: Doctor Who – The Five Doctors (2017)
Someone is taking the Doctor's past selves out of time and space, placing them in a vast wilderness – a battle arena with a sinister tower at its center. As the various incarnations of the Doctor join forces, they learn they are in the Death Zone on their home world of Gallifrey, fighting Daleks, Cybermen, Yeti and a devious Time Lord Traitor who is using the Doctor and his companions to discover the ancient secrets of Rassilon, the first and most powerful ruler of Gallifrey.
Cinema Twain (2016)
Val Kilmer, master of reinvention, becomes Mark Twain, in a funny, moving, contemporary and reflective performance, based on the life of the man who was Samuel Clemens and on his writings as Mark Twain: his thoughts on politics, his family, his faith and God… Twain shows the greatness of his incomparable wit.
Company (1996)
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
National Theatre Live: The Comedy of Errors (2012)
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National Theatre Live: Twelfth Night (2017)
A ship is wrecked on the rocks. Viola is washed ashore but her twin brother Sebastian is lost. Determined to survive on her own, she steps out to explore a new land. So begins a whirlwind of mistaken identity and unrequited love. The nearby households of Olivia and Orsino are overrun with passion. Even Olivia's upright housekeeper Malvolia is swept up in the madness. Where music is the food of love, and nobody is quite what they seem, anything proves possible.
National Theatre Live: Rosencrantz & Guildenstern Are Dead (2017)
Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take centre stage. As the young double act stumble their way in and out of the action of Shakespeare’s iconic drama, they become increasingly out of their depth as their version of the story unfolds.
National Theatre Live: Much Ado About Nothing (2022)
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Newsies (2017)
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.
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A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
National Theatre Live: Collaborators (2011)
John Hodge's Collaborators centers on an imaginary encounter between Joseph Stalin and the playwright Mikhail Bulgakov.
National Theatre Live: The Kitchen (2011)
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National Theatre Live: A Disappearing Number (2010)
The innovative interweaving of romance and math was conceived. The 2008 Olivier Award winner for Best New Play, it has toured the world and was recently performed in New York as part of the Lincoln Center Festival.
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Grace has agreed to marry Sir Harcourt in return for his financial support of her family. At a house party in her father's place, Harcourt's son Charles also falls in love with Grace. When his father appears on the scene, he has to convince him that there is a case of mistaken identity and he is somebody else. Then Lady Gay Spanker, a married woman also visiting at the house, is persuaded by Charles to seduce his father and thus divert his attention from Grace. Much confusion and scheming ensues.
National Theatre Live: Fleabag (2019)
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
Company: A Musical Comedy (2008)
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
Much Ado About Nothing (1967)
Dame Maggie Smith stars in the 1967 screen version of Franco Zeffirelli's exuberant National Theatre production of Shakespeare's romantic comedy, in which young lovers Hero and Claudio conspire to make sharp-tongued rivals Beatrice and Benedick fall in love with each other.
