An IMAX 3D camera chronicles the effort of 7 astronauts aboard the Space Shuttle Atlantis to repair the Hubble Space Telescope.
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Join Us (2007)
At the Mountain Rock Church in South Carolina, Pastor Raimund Melz leads a small Christian cult that justifies brutal actions like child abuse with the words of the Old Testament. Documentarian Ondi Timoner focuses on one family in particular, who left the church with plans to file charges against Melz before eventually checking into a one-of-a-kind cult treatment center. Timoner's film follows their journey as they receive psychological help and then return home to confront their former pastor.
Heart of a Dog (2015)
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
Some Nudity Required (1998)
A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.
Research and Crime: the Reich University of Strasbourg (2018)
Strasbourg was home to one of three Reich Universities founded by the Nazis, known as a project close to Hitler's heart. The university, founded in 1941, is infamous for the human experiments performed on KZ prisoners by the professors of the medical faculty. What did its dean, Johannes Stein, grandfather of documentarian Kirsten Esch, know of these crimes?
Malls R Us (2010)
Combining nostalgia, dazzling architecture, pop culture, economics and politics, MALLS R US examines North America's most popular and profitable suburban destination-the enclosed shopping center-and how for consumers they function as a communal, even ceremonial experience and, for retailers, sites where their idealism, passion and greed merge. The film blends archival footage tracing the history of the shopping mall in America, visits to some of the world's largest and most spectacular malls-in Canada, the U.S., the U.K., Japan, Poland, France, and Dubai-and interviews with architects, mall developers, sales managers, environmentalists, labor activists and social critics, as well as commentary from mall shoppers themselves.
A Path Appears (2015)
The film follows intrepid reporters Nicholas Kristof and Sheryl WuDunn and actor/advocates Malin Akerman, Mia Farrow, Ronan Farrow, Jennifer Garner, Regina Hall, Ashley Judd, Blake Lively, Eva Longoria, and Alfre Woodard to Colombia, Haiti, Kenya, and throughout the United States as they uncover the harshest forms of gender-based oppression and human rights violations, as well as the effective solutions being implemented to combat them.
Christmas at Moose Factory (1971)
A study of life at Christmastime in Moose Factory, an old settlement mainly composed of Cree families on the shore of James Bay, composed entirely of children's crayon drawings and narrated by children.
At Night, They Dance (2011)
Seldom has Egypt's capital been so evocatively captured. A fly-on-the-wall doc exploring the mysterious and hard-knock reality of a typical Egyptian belly dancer clan in working-class Cairo. Unparalleled access to this hidden world leaves the viewer fascinated and surprised that at night they dance. Such frankness among Arabic women is all too rare in films.
Joan Crawford: Always the Star (1996)
Glamorous and hugely popular Joan Crawford raised herself from brutal poverty to Academy Award-winning stardom by guts, determination and hard work. During her 50-year career, she made over 80 films. But her obsessive perfectionism led to the later caricature of coat-hanger-wielding harridan that even the adoration of fans could not counter. Still, she has endured as one of the most popular icons of the movies, an early role model to a million young women who aspired to her image of stylish magnetic power and unquestioned independence.
A Flickering Truth (2016)
Afghanistan's film history might well have have been lost forever, if not for the brave custodians who risked their lives to conceal films from the Taliban regime. This is a chronicle of their attempts to preserve and restore thousands of hours of film.
Don't Blink - Robert Frank (2015)
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they're one in the same, and the vast amount of territory he's covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early '90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don't Blink is Israel's like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
TimeScapes (2012)
Stunning slow-motion and timelapse cinematography of the landscapes, people and wildlife of the American South West.
Box 25 (2015)
Documentary about the relation between Panama and the United States, during the building of the Panama Canal.
Down and Out in America (1986)
The recession of the 1980s split the country into the haves and have-nots, from family farmers to factory workers and homeless people forced to live in decrepit welfare hotels. On the verge of losing everything, courageous Americans discover the power of community organizing to fight injustice.
Self Made (2011)
In 2007, Gillian Wearing placed an advert – in newspapers, online, in job centers, and elsewhere. It read: “Would you like to be in a film? You can play yourself or a fictional character. Call Gillian.” Of the hundreds of people who replied, seven – chosen through an extended process of auditions, interviews, and workshops – ended up appearing in Self Made. Of those seven, five in particular use the acting technique known as Method to delve into their memories, impulses, anxieties, fears, fantasies, and inner resources to create a series of individual performance vignettes, their personal ‘end scenes’, that reveal with particular intensity and clarity who they really are deep down – or who, in another version of their lives, they might easily have been.
The Room (1972)
Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal experiment is Akerman's first film made in New York.
The Saturn V Story (2014)
In 1961, no one believed President Kennedy’s pledge to put a man on the moon by the end of the decade. To win the race to space, the USA needed to create a multi-billion dollar space program. Using stunning NASA footage, this inspirational film tells the story of the colossal challenges NASA faced to fulfill Kennedy's pledge. With the accolade of flying 24 men safely to the moon, Saturn V is considered one of mankind's greatest technological achievements. This is the story of the most powerful machine ever built, and the men and women who believed it could fly.
Knuckleball! (2012)
Follows the Boston Red Sox' Tim Wakefield and the New York Mets' R.A. Dickey - the only two major league pitchers who use the unpredictable knuckleball - during the 2011 season.
Earth Made of Glass (2011)
Chronicling the search for truth and peace in post-genocide Rwanda. Director Deborah Scranton explores issues of peace, retribution, accountability and justice, ultimately discovering a blueprint for ending the cycle of violence. Examining the personal and political repercussions of the deadly conflict in this east African country.
