As a major storm strikes Texas in 1900, a mysterious televisual device is built and tested. Blake Williams’ experimental 3D sci-fi film immerses us in the aftermath of the Galveston disaster to fashion a haunting treatise on technology, cinema, and the medium’s future.
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Max Ernst: Journey into the Subconscious (1964)
The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
Wealth of a Nation (1964)
"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).
The Dreamer That Remains: A Portrait of Harry Partch (1972)
The Dreamer That Remains is a documentary produced by Betty Freeman and directed by Stephen Pouliot in 1972. Here is the director’s original cut along with his commentary. If you’ve never seen Partch or his instruments before, this is the place to start.
The Aqueduct of Seyssuel (2025)
Five fragments of observation and sensations during a journey with Gorneton's trail in Seyssuel, Isère. A work-in-progress with sounds, the interest of light and the solitude of a digital camera.
Totem Talk (1997)
Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.
The Weavers of Nishijin (1961)
The Weavers of Nishijin captures the process of traditional textile manufacture in Nishijin.
Ghost in the Shell (2017)
In the near future, Major is the first of her kind: a human saved from a terrible crash, then cyber-enhanced to be a perfect soldier devoted to stopping the world's most dangerous criminals.
Max Steel: Endangered Species (2004)
More powerful than any human, Max Steel is more radical than ever in his first movie "Endangered Species". Along with his friends Kat and Berto, Max Steel will have to face his greatest enemies, Bio-Constrictor and Psycho, who want to genetically modify animals and terrorize the world.
Tapestry (1988)
TAPESTRY, part of Lawrence Jordan's "Odyssey" triptych and filmed much later in Jordan's life, is a charged record of his bachelor life after marriage and child-rearing.
Superdyke Meets Madame X (1976)
From the first kiss to breakup, Almy and Hammer record their relationship on a reel-to-reel ¾” tape recorder and microphone.
To the Arctic 3D (2012)
A journey into the lives of a mother polar bear and her two seven-month-old cubs as they navigate the changing Arctic wilderness they call home.
Captain America: The Winter Soldier (2014)
After the cataclysmic events in New York with The Avengers, Steve Rogers, aka Captain America is living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk. Joining forces with the Black Widow, Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon. However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.
8 Days: Two Faces of the Feast (2014)
The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?
Galapagos 3D: Nature's Wonderland (2014)
In the vastness of the Pacific Ocean, there is a paradise unlike any other: the Galapagos. Amongst these remote volcanic islands, life has played out over millions of years in relative isolation. The result is a wonderland of nature.
Ant-Man (2015)
Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Doctor Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
Méditerranée (1963)
[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual. – Chris Darke, FILM COMMENT
Man Ray: Prophet of the Avant-Garde (1997)
Man Ray, the master of experimental and fashion photography was also a painter, a filmmaker, a poet, an essayist, a philosopher, and a leader of American modernism. Known for documenting the cultural elite living in France, Man Ray spent much of his time fighting the formal constraints of the visual arts. Ray’s life and art were always provocative, engaging, and challenging.
Good Morning, Mr. Orwell (1984)
In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).