Following a series of intimate conversations between a former couple who lived through two years of domestic abuse, A Better Man infuses new energy and possibility into the movement to end violence against women.
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Yuma Crossing (1990)
The story of the Yuma Crossing, the place where centuries of travelers crossed the Colorado River as told in a series of reenacted vignettes by colorful characters from the Quechan tribe, the conquistadores, Father Kino, Olive Oatman and others up until the first bridge was built in the 1920's.
Nicholas and the Baby (1980)
The first childbirth for children film ever made which launched a sibling preparation movement across the US.
What Can I Tell You (1978)
A portrait of three generations of wonderfully eccentric Italian American women living in a small town near Boulder.
DRIVER (2024)
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Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.
The Gulf of Silence (2020)
Since 1945, only a select few in the US government have known the truth about UFOs. In 2020, one of them is finally speaking out. Join Dr. Laura Gale PhD on a guided tour through over half a century of disinformation, counterespionage—and mankind's attempts to make first contact.
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Sundays (2020)
After thirty years of serving as a Greek Orthodox priest in the US, Tom Avramis decides to leave the priesthood, shocking his tight knit family and admiring parishioners. When his daughter discovers an old video he made about his life detailing the burdens and secrets he carried, she turns the camera on him, revealing further secrets about her father’s past.
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Detained (2015)
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Derailments (2011)
Frederico Fellini's unmade film ll Viaggio di G. Mastorna Detto Fernet became a graphic novel, just before Fellini's death in 1993. This is the story of how that came to be, as told by long time Fellini collaborator and illustrator for ll Viaggio di G. Mastorna, Milo Manera. Combining still photography and moving images, the piece which was produced in conjunction with Fabrica, premiered at the Toronto International Film Festival in 2011. The short is anchored by an interview with Milo Minara shot entirely in stills. The interview discusses his personal take on the main existentialist themes of the book; this interview has been intercut with the actual graphic novel and what appears to be the lost footage (via recreation) of the story's first scene. This short doc is an exploration into dreams and fantasy, moving through different realities. Shot between Milan, Italy and Koln, Germany.
Coal's Deadly Dust (2019)
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Nothing Compares (2022)
Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.
Killing Time (2015)
The Californian military base, Twentynine Palms, is a transit point for very young Marines who stay there after returning from Iraq or Afghanistan. How can they“kill” time from now on?
Devil's Rope (2014)
The history of barbed wire, whose use dates back to the first settlers of the Wild West, always driven by their reckless and ruthless spirit of conquest and selfish ambition to leave their mark on wild lands; of its relationship with politics and mercantilism; of the perversion of the millenary relationship between men and animals; of the evolution of surveillance techniques. Fences and borders: the tragic tale of the enclosure of the world.
First Comes Love (1991)
First Comes Love consists of perfectly choreographed scenes of four wedding ceremonies accompanied by a complex medley of popular love songs. All seems to be going as it should until the couples reach the altar, when the celebratory atmosphere is interrupted for a surprising public service announcement. Then song and dance continues until the happy couples depart, leaving behind a dwindling crowd and a few altar boys who carefully sweep up the rice that blankets the pavement like snow. The film doesn't attempt to defend--or discredit--the institution of marriage. Instead, it reveals the many subtle emotions surrounding the event, and raises questions about how the double standard regarding marriage affects gay and straight couples.
