In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.
Related Movies
Smut Hounds (2015)
It’s a story that made headlines: “Festival Film Banned!” In the late 1960s, the majority of films screened in Australia were censored in some way or another. DELETE the lovemaking. CUT the ‘Open Mouth Kissing’. REMOVE the fondling of the breast sequence. Deemed too ‘inappropriate’ and ‘morally corrupting’ for Australian eyes, these scenes were hacked from feature films and locked away in government archives. When young Sydney Film Festival director David Stratton attempted to program a Swedish film that the censors believed contained ACTUAL sex, a scandal erupted. In a mash-up of never-before-seen banned clippings, SMUT HOUNDS tells the story of how seventy-seven seconds of celluloid scandalised a government and transformed Australian cinema.
Welcome to Lynchland (2025)
Creator of absolute freedom, David Lynch constructed his work as an enigma to be deciphered between dream and reality. A cult director from his first films ("Eraserhead", "Elephant Man", "Blue Velvet"), Lynch forever changed the world of television with his series "Twin Peaks", before tackling the lies of Hollywood in "Mulholland Drive". Tracing the life of the most influential filmmaker of his generation, this documentary explores the hidden meaning of a relentlessly consistent filmography and delves beneath the dark, teeming surface of the American Dream.
Ballad of Exiles: Yılmaz Güney (2016)
In 1981, iconic Turkish film director escapes jail to France, his last work re-creating with other exiles the prison lives they left behind.
We Were Once Kids (2021)
In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.
Expedition China (2017)
Expedition China invites you on location in some of the world's most intense, hard-to-reach environments with the filmmakers of Disneynature's big-screen adventure Born in China.
Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima (2007)
In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.
The Making of a Legend: Gone with the Wind (1988)
This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.
The Beguiled: The Storyteller (1971)
The Beguiled: The Storyteller is the first documentary short ever directed by Clint Eastwood. Shot in Baton Rouge, Louisiana, under the Malpaso Production Company, it has a running time of 12 minutes and provides a behind-the-scenes look at the making of the 1971 film, The Beguiled. Eastwood highlights each of the primary actors including himself as well as director Don Siegel.
Constructing a House (2010)
Interview-based documentary looking back on the making and reception of Nobuhiko Ōbayashi's 1977 film House.
Notfilm (2015)
NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.
Drop Dead Gorgeous (1991)
A hot new model takes the fashion world by storm, but things start to turn ugly when people around her begin turning up dead.
Harold Lloyd: The Third Genius (1989)
A film about the career and methods of the master silent comedy filmmaker.
11 Colours of the Bird (2020)
A behind-the-scenes look at the eleven-year process it took to make The Painted Bird. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various stages of the film's creation, offering their subjective views from the beginning to the last flap of a year-and-a-half long shoot.
Censored! (1999)
A documentary about the cultural effect of film censorship, focusing on the tumultuous times of the teens and early 1920s in America.
Room 999 (2023)
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Ambivalent Future: Kiyoshi Kurosawa (2003)
Initially, Ambivalent Future was intended as a film about the production of Kiyoshi Kurosawa's "Bright Future". But director Fujii has taken the "behind the scenes"-concept to unprecedented heights with this unique documentary offering a close look into the world of Kiyoshi Kurosawa, the auteur. Scenes from the surprisingly low key and relaxed production of "Bright Future" are of course sprinkled liberally throughout the documentary, but between these we are treated to interesting and revealing interviews with actors, producers and Kurosawa's many other collaborators. And perhaps the most surprising thing of all is how much of Kurosawa there is, talking candidly about his working methods and the philosophy behind it all.
