Filmmaker Warwick Thornton investigates our relationship to the Southern Cross, in this fun and thought provoking ride through Australia's cultural and political landscape.

Freeman (2020)
The story of a nation coming together around Indigenous athlete Cathy Freeman who delivered when it mattered on the greatest stage on earth. 20 years on, Freeman sheds light on one of Australia's proudest moments. In 49.11 seconds, Cathy Freeman's win at the 2000 Sydney Olympics brought Australia together as a nation.

Cop It Sweet (1992)
In the winter of 1991 an ABC film crew spent six weeks following Sydney's Redfern police. The inner city patrol of Redfern is predominantly working class with a large aboriginal and migrant population. The police in this film are general duties officers mostly on mobile patrols. At the time of filming 78% of police at Redfern were under the age of 25.

State of the Nation (2002)
Four film-makers embark on a cinematic survey of Austria, documenting the political and social state of the nation and its people. An eye-opening experience. In the wake of the 1999 elections, four filmmakers decided to go out with cameras in hand and gauge the mood of their countrymen, who had made Jörg Haider's FPO party the second most powerful in Austria. What they found was a country apparently "like any other" , filled with nice ordinary people. Who feel perfectly comfortable dreaming of a possible future without foreigners, or speaking with equanimity about the old days of the Third Reich.

Mawson: Life and Death in Antarctica (2008)
The Douglas Mawson Antarctic Expedition of 1912 is considered one of the most amazing feats of endurance of all time. Although his two companions perished, Douglas Mawson survived, but how? In a bold historical experiment, scientist and adventurer Tim Jarvis is retracing the gruelling experience, with the same meagre rations, primitive clothing and equipment to uncover what happened to Mawson physically — and mentally — as a man hanging on the precipice of life and death.

Black Fox: The Rise and Fall of Adolf Hitler (1962)
The rise and fall of Nazi Germany in part through the use of classical allegory.

Imperial Sunset (1967)
This short satirical film, created entirely from archival footage, is about the British Empire—on which the sun never sets. The majority of the humour and wit is found in the interplay between image and sound: what we see during the formative days of the Empire, and what famous servants had to say about it. Edited by Oscar®-nominated experimental filmmaker Arthur Lipsett (Very Nice, Very Nice).

Un pays sans bon sens! (1970)
Essay-film on a crucial issue: the notion of belonging to a country. Lingered sentimentalism or deep psychological reality if one believes it is rooted in the heart of man? The action here takes place in the context of a nation that seeks: the French Canadians, and other people without a country: the Indians of Quebec, the Bretons of France. And here is the fundamental question posed: what are the "viable" peoples whose "maturity" allows them to "give" the autonomy and territory? And what is the environment that people can call "their country"?

The Scars (2019)
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Uluru & the Magician (2021)
Follows the incredible journey of Dave Welsman, a Sydney kids' magician determined to reboot his life with a grand illusion to make Uluru disappear. As Dave works alongside the Rock’s traditional owners and Indigenous Custodians to pull off this spectacular stunt, he discovers the profound cultural and spiritual significance of Uluru, and his own illusions about fame and success begin to disappear.

God & Country: The Rise of Christian Nationalism (2024)
Examines the implications of Christian Nationalism, how it distorts not only our constitutional republic, but Christianity itself, and asks the question: What happens when a faith built on love, sacrifice, and forgiveness grows political tentacles, conflating power, money, and belief into hyper-nationalism?

Black Man's Houses (1993)
In 1832 the government of Van Diemen’s Land sent the last Aboriginal resistance fighters into exile at Wybalenna on Flinders Island, bringing an end to the Black War and opening a new chapter in the struggle for justice and survival by Tasmanian Aboriginal people. Black Man’s Houses tells a dramatic story of the quest by Aboriginal people to reclaim the graves of their ancestors against a background of racism and denial. Documenting a moving memorial re-enactment of the funeral of the great chief Manalargenna, the film also charts the cultural strength and resilience of his descendants as they are forced to fight for recognition in a society that is not ready to remember the terrible events of the past.

In My Blood It Runs (2019)
The story of Dujuan, a 10-year-old Aboriginal boy living in Alice Springs, Australia, who is struggling to balance his traditional Arrernte/Garrwa upbringing with a state education.

Morgana (2019)
A lonely house-wife’s plan to end it all takes an unexpected turn when her last hurrah begins a radical journey of sexual exploration and personal re-invention.
You Better Take Cover (2015)
A film about Men At Work, their hit single Down Under, and the Kookaburra controversy. The band were sued for copyright infringement and faced the label of 'plagiarists', 35 years after their success. An examination of the organic development of the song, its commercial success and cultural significance and questions the relationship between art and law, influence and copyright.

WINHANGANHA (2023)
WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

You and Me (2016)
The extraordinary true story of Barney Miller, an emerging Pro-surfer who became a quadriplegic 17 years ago. Told by doctors he would never use his legs again, Barney defied all medical assessments through grit, self-belief, hard work and sheer guts. When Barney meets and falls in love with Kate, a girl with her own dreams of being a singer, he makes it his mission to only ask Kate to marry him when he can kneel down to propose, stand at the altar and dance at their wedding together.