Director Drew Stone’s The New York Hardcore Chronicles Film is an incredible journey through the community and culture of the iconic New York hardcore scene. Not the typical history of a local music scene but so much more. Shot in an episodic format, the film contains over 60 interviews, never before seen footage, photos and a blazing soundtrack. With appearances by Roger Miret & Vinnie Stigma (Agnostic Front), Lou Koller, Craig Setari (Sick Of It All), Ray Cappo (Youth Of Today), Billy Graziadei (Biohazard), Billy Milano (S.O.D. / M.O.D.) and Mike Judge (Judge). The film addresses the community, culture, straight edge and DIY ethic of the hardcore scene in the greatest city in the world that is still vibrant, relevant and going strong to this day.
Grizzly Man (2005)
Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
Nas: Time Is Illmatic (2014)
Time Is Illmatic is a feature length documentary film that delves deep into the making of Nas' 1994 debut album, Illmatic, and the social conditions that influenced its creation.
Falsettos (2017)
The 2016 Broadway revival of William Finn's Tony-winning musical tells the story of Marvin, a Jewish family man who leaves his wife and son for a male lover during the height of the AIDS crisis in 1980s New York City.
Alien Endgame (2022)
In 2021, a Pentagon report revealed what the US government had denied for decades -- UFOs are real and may even pose a threat to our planet. Now, ex-military members break their silence about the massive cover-up. Are we prepared for an alien invasion?
Israel's Reel Extremism (2024)
An examination of Israel and its society after many months of war, seen initially through the prism of viral social media posts - and exclusive interviews with the soldiers behind them. These posts, some shared millions of times, show soldiers humiliating bound Palestinians, ransacking their homes, joking as they detonate schools and whole districts, and laughing as they launch high explosive ordnance into densely-packed areas. The award-winning team behind this Basement Films production traveled to Israel to interview some of these soldiers, who proudly defended themselves and their videos, some expressing callous disregard for Palestinians in Gaza. Through additional interviews with Israeli radical groups, politicians, and media figures, the film reveals Israeli Jewish society in the aftermath of October 7th, gripped by a vengeance and hate that puts into question any possibility for peace.
Bring Me the Horizon: Live at the Royal Albert Hall (2016)
Live at the Royal Albert Hall is the second live album and video by British rock band Bring Me The Horizon. It was recorded on 22 April 2016 at thr Royal Albert Hall, with accompaniment from the Parallax Orchestra.
Unrest (2017)
When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.
Crownsville Hospital: From Lunacy to Legacy (2018)
Crownsville Hospital: From Lunacy to Legacy is a feature-length documentary film highlighting the history of the Crownsville State Mental Hospital in Crownsville, MD.
The Jazz Singer (1927)
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
The Rise & Fall of Penn Station (2004)
In 1910, the Pennsylvania Railroad successfully accomplished the enormous engineering feat of building tunnels under New York City's Hudson and East Rivers, connecting the railroad to New York and New England, knitting together the entire eastern half of the United States. The tunnels terminated in what was one of the greatest architectural achievements of its time, Pennsylvania Station. Penn Station covered nearly eight acres, extended two city blocks, and housed one of the largest public spaces in the world. But just 53 years after the station’s opening, the monumental building that was supposed to last forever, to herald and represent the American Empire, was slated to be destroyed.
What Difference Does It Make? (2014)
A documentary that explores the challenges that a life in music can bring.
The Codes of Gender (2010)
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Boredom (2012)
Director Albert Nerenberg asks why the subject of boredom has been so religiously avoided and shows that boredom isn't what you think it is.
Drawing the Line: A Portrait of Keith Haring (1989)
Short documentary about artist Keith Haring, detailing his involvement in the New York City graffiti subculture, his opening of the Pop Shop, and the social commentary present in his paintings and drawings.
The Fearless Freaks (2005)
Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.
Hitler's 9/11 (2013)
Adolf Hitler's Nazi megalomania knew no limits. The most daring of his plans World War II involved German fighter planes crashing into Manhattan's skyscrapers as living bombs, like the Japanese kamikazes. Hitler understood the huge symbolic power of Manhattan's skyscrapers. He believed suicide bombing would have a devastating psychological impact on the American people and the U.S. war effort.