Related Movies
Show of Titles (2021)
An evening of celebrated stars performing the titles songs from Broadway’s best.
Meet Me on Broadway (1946)
Stuffy amateur director Eddie Dolan decides to mount a show for the well-connected patrons of a posh country club. Eddie and his girlfriend, actress Ann Stallings, hope the production will launch their legitimate Broadway careers. But complications arise when Maxine Whitaker, daughter of a wealthy rival club owner, becomes romantically interested in charming Eddie.
The Producers (2005)
Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.
Der Prank - April, April! (2025)
A failed April Fool's joke by twelve-year-old Chinese guest student Xi Zhōu turns the lives of Lucas, who is the same age, and his family upside down.
Ace Attorney: Turnabout Gold Medal (2019)
Phoenix Wright, Miles Edgeworth, and many more prepare to face off in the Judicial Olympics. Overseeing the event is executive chairman and former champion Godot. The trial will end when one lawyer receives the event's prestigious gold medal.
Persona4 The ULTIMATE In MAYONAKA ARENA Stage Project (2015)
A live-action adaptation of Persona 4 Arena.
Persona4 The ULTIMAX ULTRA SUPLEX HOLD Stage Project (2016)
A live action adaptation of Persona 4 Arena Ultimax.
42nd Street (1933)
A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.
The Muppets Take Manhattan (1984)
When the Muppets graduate from Danhurst College, they take their song-filled senior revue to New York City, only to learn that it isn't easy to find a producer who's willing to back a show starring a frog and a pig. Of course, Kermit the Frog and Miss Piggy won't take no for an answer, launching a search for someone to take them to Broadway.
Bullets Over Broadway (1994)
After young playwright, David Shayne obtains funding for his play from gangster Nick Valenti, Nick's girlfriend Olive miraculously lands the role of a psychiatrist—but not only is she a bimbo who could never pass for a psychiatrist—she's a dreadful actress. David puts up with the leading man who is a compulsive eater, the grand dame who wants her part jazzed up, and Olive's interfering hitman/bodyguard—but, eventually he must decide whether art or life is more important.
An Evening with Quentin Crisp (1980)
In this witty monologue, Quentin Crisp advises and opines about personal style (with a few digressions).
Red, Hot and Blue (1949)
In her attempts to make a splash on Broadway, a lively would-be-actress lands herself in hot water with the mob.
Singin' in the Rain (1952)
In 1927 Hollywood, a silent film star falls for a chorus girl just as he and his paranoid screen partner struggle to make the difficult transition to talking pictures.
Metamorphosis (1987)
TV film of Steven Berkoff's stage adaption of Kafka's famous story in which a young man, who is the sole financial supporter of his family, awakes one morning in the form of a giant dung beetle and thereby becomes a nuisance to his family, who must now learn to rely upon themselves.
L’effet miroir (2024)
Théophile, a successful writer, finally finds inspiration again. His new book shocks people, because many of his close friends recognize themselves in the characters.
Follow the Band (1943)
A farmer from Vermont travels to New York and becomes a successful singer in a nightclub.
Love Happy (1949)
The Marx Brothers help young Broadway hopefuls when they get mixed up with gangsters due to a tin of sardines containing Romanoff diamonds.
National Theatre Live: The Habit of Art (2010)
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
