Over a decade in the making, Swagger of Thieves follows rock band Head Like a Hole from the top of the charts to the bottom of a needle. Staring down their age, two pals and the main guts of HLAH, frontman Nigel Booga Beazley and 'co- conspirator' Nigel Regan strut the hard road out of hell, fighting to reconnect and return their band to past glory, amidst disgruntled band mates, a changed music industry, and disappointed wives. Struggling to place past addictions and sabotaged dreams behind them in their continuing quest for rock music relevance, the ever-collapsing binary stars of any Head Like a Hole lineup, are certain (not) to polish their legacy here. Swagger of Thieves captures what it means to be in a band with a reputation. Unrelentingly raw, wild and honest, to the point of being one of the most insightful music documentaries ever made. Essential viewing. New Zealand International Film Festival (NZIFF), Melbourne International Documentary Film Festival (MIDFF)
Ghostroads: A Japanese Rock N Roll Ghost Story (2018)
A struggling musician finds a haunted amp with a ghost who promises fame.
Mommy, What's a Funkadelic? (NaN)
George Clinton's somewhat absurdist take on Parliament-Funkadelic history. Features never-before-granted access to his archive and spotlights his alter egos and friends
Kolya (1996)
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
Muse: Simulation Theory (2020)
Conceived and filmed at London's O2 Arena in September 2019 the film follows a team of scientists as they investigate the source of a paranormal anomaly appearing around the world. Blurring the lines between narrative and concert film, virtual and reality, Muse's most theatrical tour to date launches the viewer through a supernatural spectacle, questioning the world around us.
The Rolling Stones: Live from London 1995 (1995)
As part of their 1994/1995 Voodoo Lounge world tour, the Rolling Stones gave a handful of small-scale, stripped-down concerts in Europe as a kind of response to 'MTV Unplugged.' This show that took place on July 19, 1995 at the Brixton Academy in London, a venue with a capacity of about 5000, was the final of a total of four club shows. The other shows were held in Paris and Amsterdam, and all of them were recorded for a forthcoming album, which was eventually named 'Stripped' and released on November 13, 1995. Two songs from the London show made it on the album, namely "Dead Flowers" and the Bob Dylan-penned "Like a Rolling Stone," with the latter also being released as the lead single off the album. "Black Limousine" and "Live with Me" from this show were chosen as the B-sides for the singles "Like a Rolling Stone" and "Wild Horses," respectively. The full Brixton Academy concert was released on DVD and SD Blu-ray as part of the 'Totally Stripped' deluxe boxed set on June 3, 2016.
The Rolling Stones: Live from Paris 1995 (1995)
In November of 1995, the Rolling Stones released the acclaimed album 'Stripped,' their second release on the Virgin Records label after 1994's 'Voodoo Lounge.' The concept for 'Stripped,' a studio/live hybrid album with stripped-down instrumentation, was conceived as a kind of response to 'MTV Unplugged' while the band was on their big-scale 1994/1995 world tour in support of 'Voodoo Lounge.' A total of four stripped-down concerts were held at small venues in Amsterdam, Paris and London, and recorded for the album 'Stripped.' The concert that was released under the title "Live from Paris 1995" on DVD and SD Blu-ray as part of the 2016 'Totally Stripped' deluxe boxed set took place on July 3, 1995 at the Paris Olympia, a venue with a capacity of about 2000. Three songs from this intimate concert were included on the original 'Stripped' album, namely "Shine a Light," "Let It Bleed" and "Angie."
The Rolling Stones: Live from Amsterdam 1995 (1995)
This 99-minute concert, which was recorded at the world-famous Paradiso in Amsterdam on May 26, 1995, captures the Rolling Stones in top form playing a strong 20-song set to a high-spirited audience. This was the first of four small-scale club shows that the band held on the European leg of their big-scale 1994/1995 'Voodo Lounge' world tour. These shows can be seen as a kind of response to 'MTV Unplugged' with the band playing rawer, stripped-down and sometimes unplugged versions of their well-known hits as well as rare songs. The Paradiso set list includes a number of rarities from the Rolling Stones' extensive back catalogue that are performed only seldom, including "It's All Over Now," "The Spider and the Fly," "Shine a Light" and "Respectable." The final song from this show, "Street Fighting Man," was used as the opening track on the band's 1995 album 'Stripped.' The full concert was released on DVD and SD Blu-ray as part of the 'Totally Stripped' deluxe boxed set on June 3, 2016.
Lambert & Stamp (2014)
In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock 'n' roll history.
Make Way for the Jaguars (1968)
A plot by an evil mastermind to eliminate the lead singer of the Japanese "Group Sounds" rock band, The Jaguars, leads the group through a series of psychedelic, comedic escapades.
Barn (2021)
The documentary provides an unprecedented glimpse into Young and Crazy Horse’s creative process, as they took to tape in Colorado’s Rocky Mountains during the Covid-19 pandemic. Kicking off with a note of gratitude from Young (“I’m so glad we’re fuckin’ here!”), the trailer shows what things were like as the legendary band got back into their element, in the wild, making music in a restored, 19th-century log barn under a full, glowing moon. The film captures the group—a 50-year-old musical family that includes, Billy Talbot, Ralph Molina and Nils Lofgren —building the powerful new record, but also their easy humour and enduring brotherhood. - The Sound Cafe (www.thesoundcafe.com)
Freed From Memories (2016)
An examination of Manic Street Preachers' 1996 breakthrough album Everything Must Go in celebration of its 20th anniversary.
The Atlas Moth (2001)
The saga of Dan Cleveland, the hardest-working man in local rock, and his band Dark Horse continues. Several years have passed since the events of "Driver 23" but Cleveland's enthusiasm for his dream of heavy metal stardom has not been dampened in the least.
Hassisen Kone 40 Years After (2023)
Documentary film about Hassisen Kone. A band that, despite its short age, is still remembered as one of the most iconic Finnish rock bands of all time. The film tells not only about the band's 40th anniversary concert and the preparations for it, but also about the history of the band and its members' growth from youth celebrities to adults.
Argentina Beat (2007)
Through the second half of the 1960's the Beat movement and the first National Rock were the flagship of the youth, leaders as never before of a society in transformation. The formation of the first bands, the venues for concerts, the difficulties to sing rock in Spanish and interact with other artists create new ways to communicate previously unavailable. This documentary presents the story of these first pioneers of the Argentinean rock music.
Meal Tickets (2017)
Director Mat de Koning captures the rollercoaster journey of a young Perth band, the Screwtop Detonators, their manager Dave Kavanagh (an ex-mentor to The Libertines) and their one-time roadie, Will Stoker, as they grapple with the music industry's long road to the top. Initially ambitious and eager for fame and fortune, their aspirations change over time as they individually discover what truly matters in life.
Woodstock (1970)
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.