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Naughty (NaN)
To secure custody of her son from her gaslighting trash-bag ex, Mallory's only hope is to find Santa Claus and convince him to testify in her divorce hearing.
Moothon (2019)
A child from Lakshadweep sets off to Mumbai in pursuit of Akbar, an elder brother who left the island due to his sexual orientation.
The Midday Sun (2010)
After a tragic crime of passion, Artur leaves the depths of Brazil on a journey in search of redemption. Early on, he meets Matuim, the anarchic captain of an old vessel, and comes to befriend him through a series of tense and comic situations.
The Sound of Crickets at Night (2012)
An elderly nuclear survivor from Bikini Atoll in the Pacific summons a mysterious ancient deity to help reunite his family.
Lee (2024)
The true story of photographer Elizabeth "Lee" Miller, a fashion model who became an acclaimed war correspondent for Vogue magazine during World War II.
The Color of Rain (2014)
After cancer claims Matt Kell's life on Christmas Day 2005, his widow, Gina and two young boys are left to cope with the pain of his loss while their close church community gathers around them for support.
Nineteen on Fire (2021)
Beth wakes up after a night she can't remember to discover her guitar missing. She'll go through hell to get it back. But, like, after some aspirin.
YOYO (2017)
Caroline can't stand that she is a virgin...and then the world ends. In post-apocalyptic LA, after a dust storm has wiped out the planet, she is convinced that Francis was sent as the man to pop her cherry. YOYO is a heartfelt, dark comedy about finding meaning in life, even when life ceases to exist.
Across My Land (2017)
Father and son 'minutemen' patrol the American/Mexican border near their home in Nogales, Arizona.
Mary Queen of Scots (2018)
In 1561, Mary Stuart, widow of the King of France, returns to Scotland, reclaims her rightful throne and menaces the future of Queen Elizabeth I as ruler of England, because she has a legitimate claim to the English throne. Betrayals, rebellions, conspiracies and their own life choices imperil both Queens. They experience the bitter cost of power, until their tragic fate is finally fulfilled.
Threesome (2014)
Som, an ordinary young woman who works as a movie make-up artist. Her longtime live-in boyfriend Rang is also in the business. But the handsome musclebound prop guy – always wearing tight, biceps-baring vest T-shirts – captures many adoring eyes, like that slutty actress, but also his straight-acting gay boss and just about anyone else with a pulse.
Helicopter Mom (2015)
Maggie Cooper thinks it would be really cool if her son Lloyd were gay. So cool, in fact, that she outs him to the entire school.
Kroko (2003)
She is the blonde poison of the backyards, the femme fatale of the Wedding side street. Coolness hangs heavy on her eyelids. It could be mistaken for boredom - if it weren't for her tough tone of voice and her willingness to ice-coldly clear her opponents out of the way. One of her license-free joyrides results in an accident. A court orders her to do community service in a shared flat for the disabled, which she finds an imposition. But the "normalos" she lives with aren't that great either, and it seems as if Kroko finds something in the "spastics" that she lacks in her everyday life.
Yerma (1999)
Yerma is desperate to have children, so when a psychic advises her to look outside her marriage to conceive, what can she say but yes?
The Passion of Remembrance (1986)
Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.
Perfect Image? (1989)
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
Die Macht der Männer ist die Geduld der Frauen (1978)
For many years, market woman Addi has been helplessly exposed to the ever-increasing aggression of her husband Max. His physical and emotional abuse has become part of her everyday life, from which she cannot find a way out. Due to her economic dependence on Max and the passivity of those around her, every attempt to escape leads her back to her husband. When Addi accidentally learns of the existence of a women's shelter, this is her long-awaited escape from violence and she flees to the facility with her son. Strengthened by the solidarity among the women, she founds a shared flat with others in order to regain her long-suppressed freedom. Director Cristina Perincioli had the story developed and acted out by residents of Germany's first women's shelter in West Berlin.
