Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.
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The Unknown Peter Sellers (2000)
Documentary about the life and career of a comic genius, Peter Sellers.
Mr. Bean's Holiday (2007)
Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.
Passage to Buddha (1993)
A young boy mourns the death of his father, and begins a quest to find his mother. He encounters many people on the way who quote Buddhist precepts: an eccentric monk, a girl who grows up into a young woman, a prison inmate, a foul-mouthed doctor and the young son of a hard drinking astronomer. Each of them tell the boy to seek someone to help him find the truth and his mother.
Webseries: The Movie (2019)
In 2019, a group of four "filmmakers" set out to make a world-changing web series.
8½ (1963)
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
Notting Hill (1999)
London bookstore owner William Thacker's quiet life turns upside down when a chance encounter with famous actress Anna Scott sparks an unlikely romance challenged by their vastly different worlds.
Citizen James (2000)
Not liking the vast amount of negativity in recent movies James tries to make his own film.
The Second Coming of Suzanne (1974)
Jared Martin plays an aspiring film maker obsessed with the idea of Christ as a woman, and tries to film his vision with Sondra Locke as his subject. 'Based' on a song by Leonard Cohen.
The Hot Month of August (1966)
A young man, Jason, is on his way home and meets two beautiful women, Hope and Alexis. He falls for Hope, but has sex with Alexis. He doesn't know that Alexis' husband has hired a private detective to trail her, and the man reports back to Alexis' husband about her affair with Jason. The husband kills Alexis but the police suspect Jason. He and Hope have to clear his name and find enough evidence to prove the husband is the killer.
Inland Empire (2006)
As a Hollywood actress begins to adopt the persona of her character in a film, her world becomes nightmarish and surreal.
Rent (2005)
This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.
Roar (1981)
Roar follows a family who are attacked by various African animals at the secluded home of their keeper.
Gods and Monsters (1998)
It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.
French Dressing (1964)
A deck-chair attendant at a British resort promotes a film festival featuring a French sexpot.
Wish Taxi (2013)
In-man is a timid but caring man who creates a suicide group for his first night with his girlfriend and suggests a 'bucket list'. Strong but weak woman Ji-eun is at risk of being sold to some islands because of debt thats started with her college fees so she decides to spend a whole lot of money before she dies. Hye-ri is a bright but pained girl who gave everything to a man she loved but got nothing in return. Cho-hee is a woman who's life isn't the same after sending away everyone she ever loved. The four people alike, fulfill their 'bucket list' before they die and find hope and happiness in the process.
Room 999 (2023)
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Un film (autoportrait) (1984)
The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.
The Taste of Victory (2016)
One of the topics that film affects is dominance the victory over fascist Germany cult in the minds of people and the obscurantist attitude of society towards the Great Patriotic War.
Afro Promo (1997)
Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.