
Greed in Broad Daylight (1961)
After a successful robbery the culprits, from very different backgrounds, at once turn on each other.

OSARU-CHAN (2021)
When two brothers steal a valuable heirloom from an elderly Japanese woman, they unknowingly awaken her demigod son, Osaru, who does not take kindly to thieves.

High and Low (1963)
A Yokohama shoe executive faces a wrenching choice when kidnappers mistakenly seize his chauffeur’s son but demand the ransom anyway.

I Am Waiting (1957)
A former boxer gets involved with a club hostess trying to escape the clutches of her gangster employer.

Rusty Knife (1958)
Udaka is a new, post-war city where corruption has already taken hold. A persistent district attorney wants to arrest and convict Katsumata, a laughing, self-confident thug. The D.A. gets an anonymous letter about the suicide five years' before of a city council member. Evidence about the case leads the D.A. to Tachibana, struggling to go straight after involvement with the mob and a prison sentence for killing the man responsible for the rape and suicide of his fiancée. One of Tachibana's friends is Keiko, the daughter of the dead councilman and the ward of another powerful official. How do these stories connect?

Cruel Gun Story (1964)
Businessmen arrange the early release from prison of Togawa, serving time for taking revenge on the truck driver whose carelessness confined Togawa's sister, Rie, to a wheelchair. They want Togawa to hijack an armored truck loaded with 120 million yen; their leverage is to promise him money for surgery for Rie. Togawa consents and plans the heist with three others. The plan is solid, but it doesn't go smoothly. Togawa must improvise, there are traitors somewhere, and double-crosses mount. Can Togawa escape with enough money to help his sister and ensure a passage out of Japan?

Take Aim at the Police Van (1960)
A sniper kills two prisoners in a police van, and the driver sets out to find the killer.

A Killer's Key (1967)
Raizô Ichikawa reprises his role as the restaurant-cook-turned-contract-killer in this sequel to Kazuo Mori's stylish 1967 thriller A Certain Killer.

A Colt Is My Passport (1967)
A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.

G-men of Japan 5: Skyscraper Wolves (1960)
G-men of Japan fifth installment. A young detective, questioning a double suicide involving his police officer friend and a Turkish girl, travels all the way from Kyushu to Tokyo. Disguising himself as a yakuza member, he intends to root out the underworld's base of operations, weaving together love, guns, and violence to unravel the mystery behind the enigmatic incident and the true nature of evil. This thrilling action drama combines suspense with excitement, depicting a tale filled with love, fists, and firearms.

The Bad Sleep Well (1960)
In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.

Cash Calls Hell (1966)
Before leaving prison, Oida uncomfortably enters into an agreement with his cell mate: in exchange for a half-share of 30,000,000 yen, he is to assassinate three strangers given to him on a list. However, upon meeting his first potential victim, Oida has second thoughts. Yet, even as he tries to back out, the body count starts climbing. Oida must now try to alert the people on his list of their impending danger, and find out why they are being targeted in the first place.

Pale Flower (1964)
A gangster gets released from prison and has to cope with the recent shifts of power between the gangs, while taking care of a thrill-seeking young woman, who got in bad company while gambling.

Tokyo Drifter (1966)
After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. As the Viper trails his target through the countryside, the agile Phoenix Tetsu grows concerned that one of his former associates has betrayed him.

Good-for-Nothing (1960)
Yoshida's first feature follows the lives of young students against a background of jazz, emptiness and boredom. The plot is fairly simple: a "good-for-nothing" from a poor background falls in love with the young secretary of his rich friend's father. The woman senses good in him and tries to lead him on the right path.

Internal Sleuth (1973)
When 150 guns are stolen from Iwakuni base and two police officers are shot dead, a detective criminal tries to find out the truth.

Red Pier (1958)
Shortly after arriving in Kobe, "Jiro the Lefty", a killer with a natural talent, witnesses a man die in a crane accident which turns out to be a cover-up for a murder. Jiro soon finds himself on the run, tailed by a determined cop.

Fire Line (1961)
Two young crooks who scam betters in the race track are employed by a yakuza gang called the Shigemori Syndicate to steal a shipment of handguns from a rival gang. Somewhere in the process they find themselves on the run from their own gang and one of them becomes himself romantically entangled with the boss's girlfriend. An ambitious underboss of the gang offers them a way out if they murder the previous boss but things don't turn out as planned (for everyone).

Intimidation (1960)
Koreyoshi Kurahara's ingeniously plotted, pocket-size noir concerns the intertwined fates of a desperate bank manager, blackmailed for book-cooking, and his resentful but timid underling, passed over for a promotion. The marvelously moody Intimidation is an elegantly stripped-down and carefully paced crime drama.