Alifu, a 25 year-old Paiwan boy, works as a hair-dresser in Taipei and struggles between his dream of getting a sex change operation and following his father’s footsteps to inherit the title as Chief of the indigenous Paiwan tribe. His lesbian roommate, Pei-Zhen, is also his best friend and confidante. Sherry, a transgender man, is the owner of a drag queen bar. For years, Sherry has been in love with the plumber, Wu, even though Wu only sees him as his buddy. Chris, a civil servant, lives a dull life. A one-time gig as a drag queen in the bar unexpectedly becomes his unique and secret way to relief stress. Chris has no choice but to keep this gig a secret from his girlfriend Angie. Across different genders and sexualities, the only common ground these people share is their search for love, understanding and acceptance. (Source: Golden Village)

Boys Don't Cry (1999)
A young transgender man explores his gender identity and searches for love in rural Nebraska.

The Adventures of Priscilla, Queen of the Desert (1994)
Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.

What the Eyes Can't See (2019)
Four Spanish-language shorts about the importance and complexity of people's perception from award winning directors. Stories of identity, misconceptions, regrets, dreams and love are told in this diverse collection. Includes: Tenants [Inquilinos] (2018); My Brother [Mi hermano] (2015); Guillermo on the Roof [Guillermo en el tejado] (2018); You Are Not a Woman [Usted no es mujer] (2018).

Sunday's Child (2021)
Esi is a 25 year old, queer, biracial woman. Growing up in a conservative town in Missouri with immigrant parents, her sexuality and desire to be a photographer have become laced with shame and guilt. Six months after moving to LA, we find Esi isolated and disconnected from world around her. After another day of feeling invisible as a PA, Esi stumbles upon a vivid house party of QTPOC (queer and trans people of color). For the first time in her life, Esi is welcomed into a community where she can let down her walls, let go of societal and family pressures and begin to embrace her true self.

Under the Skin (2016)
After years away from home, Duna returns to his home village to get reunited with his ill father. Upon arrival, she will feel rejection and misunderstanding about her trans-sexuality. Will she reconcile with her past and father?

Better Than Chocolate (1999)
Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated -- since Maggie's family is unaware of her sexual orientation, and Maggie is not open to sharing that information.

My Life in Pink (1997)
Ludovic is waiting for a miracle. With six-year-old certainty, she believes she was meant to be a little girl -- and that the mistake will soon be corrected. But where she expects the miraculous, Ludo finds only rejection, isolation, and guilt -- as the intense reactions of family, friends, and neighbors strip away every innocent lace and bauble.

Bon enfant (2020)
Esteban has left home for Spain, to study. He returns to see his parents in Paris for holidays. Between walks and Sunday lunches, Anne and Pascal do their best to adapt to their son’s new situation.

Cowboys (2020)
Troy and his young transgender son Joe are on the run from his conservative mother in the Montana wilderness, with a detective in hot pursuit.

Glen or Glenda (1953)
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.

Still Me (2021)
After coming to terms with their identity, it's time for Bailey to come out at school. However, this proves harder than they anticipate and Bailey is faced with a choice between social ridicule or the closet.

Hedwig and the Angry Inch (2001)
Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.

Nunkui (2022)
Nunkui is 13 years old and lives in an Amazonian Shuar community with her grandparents, uncles and cousins. She frequently dreams of the feminine spirit of the garden, named Nunkui like her. The girl does not know this spirit, she does not understand her dreams and is afraid; she fears that it is a dangerous spirit, an Iwianch. Curiosity, anguish and food shortages lead Nunkui to discover the knowledge of Rosa, her great-aunt, who still cultivates a traditional garden (aja shuar). Little by little, the garden and the sacred songs (anents) become a refuge for the young woman.

In a Year with 13 Moons (1978)
Elvira Weishaupt, once a burly working-class butcher, has made an enormous sacrifice for love. She has undergone a sex change for a romantic interest who has abandoned her, and she now must struggle to reconcile her past life with her present identity.
Unboxing (2014)
How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.

They/Them (2020)
Ash Nielsen is a teenager who is struggling to come to terms with being nonbinary, as well as having to navigate bullying at school.

Get the Life (2016)
A transgender teenager faces an unwanted pregnancy and risks losing everything he loves in order to live courageously.

The Guest (2014)
The expected return of the son for his father funeral shakes up a traditional and secretive familiar environment where women are supposed to count on men to survive as he shows himself turned into a female.

I Don't Know (1971)
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

Brace (2015)
On his first foray out onto London's thriving gay scene, newly single Adam meets Rocky, a handsome and mysterious drifter, with whom he shares an instant and undeniable chemistry. From the outset, Rocky is eager to reveal more of himself than Adam is ready for, and so the two maintain an uncomfortable pact of silence. As the pair grow closer, something has to give, and the truth about Rocky is explosively revealed. As the dust settles, the men are left to decide whether they can find acceptance in each other, by facing the truth about themselves.