Over the past 25 years, Lauren Greenfield's documentary photography and film projects have explored youth culture, gender, body image, and affluence. Underscoring the ever-increasing gap between the haves and the have-nots, portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.

Roger & Me (1989)
A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

BETWEEN (NaN)
Initially embarking on an unplanned personal filmmaking project, Ilias Boukhemoucha finds himself drawn to the overlooked corners and marginalized communities within Canadian cities.
Democracy Is ... (2009)
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Wal-Mart: The High Cost of Low Price (2005)
This documentary takes the viewer on a deeply personal journey into the everyday lives of families struggling to fight Goliath. From a family business owner in the Midwest to a preacher in California, from workers in Florida to a poet in Mexico, dozens of film crews on three continents bring the intensely personal stories of an assault on families and American values.

Collapse (2009)
From the acclaimed director of American Movie, the documentary follows former Los Angeles police officer turned independent reporter Michael Ruppert. He recounts his career as a radical thinker and spells out his apocalyptic vision of the future, spanning the crises in economics, energy, environment and more.
Small Mall (2004)
A Eurovision singer, Iceland's strongest woman, a male model, a plumber who wants to direct movies. They all work in the shopping mall that this documentary focuses on ... most of them want to get out, even just to the bigger mall down the road.

The Corporation (2003)
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

Gimme Green (2007)
Gimme Green is a humorous look at the American obsession with the residential lawn and the effects it has on our environment, our wallets and our outlook on life. From the limitless subdivisions of Florida to sod farms in the arid southwest, Gimme Green peers behind the curtain of the $40-billion industry that fuels our nation's largest irrigated crop-the lawn.

Beer Wars (2009)
In America, size matters. The bigger you are, the more power you have, especially in the business world. Anat Baron takes you on a no holds barred exploration of the U.S. beer industry that ultimately reveals the truth behind the label of your favorite beer. Told from an insider’s perspective, the film goes behind the scenes of the daily battles and all out wars that dominate the industry.

Robert Newman's History of Oil (2006)
Stand-up comedian Robert Newman gets to grips with the wars and politics of the last hundred years, from WWI through to the 2003 invasion of Iraq; but rather than adhering to the history we were fed at school, this show places oil centre stage as the cause of all commotion. This innovative history programme is based around Robert Newman's stand-up act and supported by resourceful archive sequences and stills with satirical impersonations of historical figures from Mayan priests to Archduke Ferdinand.

Capitalism: A Love Story (2009)
Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

Exergo (2024)
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Moving Ice (2024)
Ice has always moved. When glaciation took hold some 34 million years ago, interconnected rivers of ice combined to produce the Earth's vast ice sheets. As temperatures slowly warmed glaciers developed a unique balancing act; advancing and retreating to calibrate their annual winter accumulation against summer melt. Sometimes calving colossal icebergs into the sea. A positive feedback loop that has regulated the movement of ice for millions of years.

Les héritiers (1955)
Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

Beautiful Things (2019)
A symphonic journey into our obsessive consumption. The many objects we accumulate begin their production journey in silent secluded industrial site where borderline men work in isolation without any interference. These men trigger, unconsciously, the long chain of creation, transport, commercialization and destruction of the objects feeding our bulimic lifestyle.

Fuel (2008)
Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.