During the Nazi regime, there was widespread persecution of homosexual men, which started in 1871 with the Paragraph 175 of the German Penal Code. Thousands were murdered in concentration camps. This powerful and disturbing documentary, narrated by Rupert Everett, presents for the first time the largely untold testimonies of some of those who survived.
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The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.
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Through his own personal experience building a friendship purely online, Justin Gerhard explores technology and the ways in which we are using it more and more to nurture relationships, but at what cost? What are we missing by spending so much time on our phones? How real are online relationships?
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Alexander (2004)
Alexander, the King of Macedonia, leads his legions against the giant Persian Empire. After defeating the Persians, he leads his army across the then known world, venturing farther than any westerner had ever gone, all the way to India.
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In 1943, as Hitler continues to wage war across Europe, a group of college students mount an underground resistance movement in Munich. Dedicated expressly to the downfall of the monolithic Third Reich war machine, they call themselves the White Rose. One of its few female members, Sophie Scholl is captured during a dangerous mission to distribute pamphlets on campus with her brother Hans. Unwavering in her convictions and loyalty to the White Rose, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility.
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As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.
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Downfall (2004)
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
This Is Not a Dream (2012)
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A woman and her daughter struggle to make their way through the aftermath of the Balkan war.
Great Escape (2004)
The real Great Escape didn't feature Steve McQueen racing through the Third Reich on a motorcycle like in the 1963 movie, but the big breakout was still thrilling in every way. This program sheds new light on the audacious escape of 76 Allied airmen from a Nazi POW camp during World War II.
The Perfect Crime: Leopold & Loeb (2016)
The shocking story of Richard Leopold and Nathan Loeb, two wealthy college students who murdered a 14-year-old boy in 1924 to prove they were smart enough to get away with it.
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In 1944, two prisoners miraculously escaped from Auschwitz. They told the world of the horror of the Holocaust and raised one of the greatest moral questions of the 20th century.
Homosaywhat (2019)
Homophobia didn’t just happen. Orchestrated campaigns by cultural institutions and public figures have systemically instilled anti-LGBTQ prejudice into American culture by shaping public opinion.
Toute la vérité, rien que la vérité : Jean Cocteau (1959)
In 1959, Jean Cocteau looked back on his artistic journey for the Télé Monte-Carlo television show Tout la vérité, rien que la vérité. The program ends with a tasty anecdote about television that Cocteau describes as a “box of tricks”. A few weeks later, in the same Victorine studios, Cocteau directed most of the sequences for his last opus: The Testament of Orpheus (1959).
