This groundbreaking film reveals the truth surrounding Australia’s love-hate relationship with its beloved icon. The kangaroo image is proudly used by top companies, sports teams and as tourist souvenirs, yet when they hop across the vast continent some consider them to be pests to be shot and sold for profit. KANGAROO unpacks a national paradigm where the relationship with kangaroos is examined.
Australia: Land Beyond Time (2002)
Australia: Land Beyond Time takes viewers on a breathtaking journey back in time to witness the birth and evolution of a mysterious land that harbors remnants of Earth's earliest life and many of it's strangest creatures that exist nowhere else on the planet.
Something in the Water (2008)
Something in the Water explores the rock phenomenon that is music in WA. How can the most isolated city in the world have exploded with so many successful bands over the years? Across decades and genres, Something in the Water asks "what is responsible for the sparkling talent pool?"
The MacArthur Facade (2024)
An amateur documentary crew dive into a growing opioid epidemic within Australia's Capital only to discover horrifying truths.
Becoming Bond (2017)
The stranger-than-fiction true story of George Lazenby, a poor Australian car mechanic who, through an unbelievable set of circumstances, landed the role of James Bond despite having never acted a day in his life.
The Pace That Kills (1959)
Excessive speed is the number one killer on the roads: one-thrid of all road deaths are caused by it. By excessive speeding drivers risk their own lives and those of others.
The Welcome (2021)
The Welcome is a life-affirming collection of short films sharing stories that will transport you across countries, borders and oceans. Hear fresh voices and emerging Queensland artists from diverse backgrounds tell honest and authentic stories about migrant and refugee experiences and what it means to belong in Australia. The Welcome is an extension of La Boite’s critically acclaimed 2020 stage production, The Neighbourhood. This intimate storytelling experience was created by La Boite with Brisbane-based production company KIOSK and proudly supported by the Commonwealth Bank and Queensland Government. The Welcome screens across multiple digital platforms, in recognition and celebration of Queensland’s diverse communities.
Loyal to My Image (1992)
Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.
Girt by Sea (2014)
Girt By Sea is a cinematic love letter to the coastline of Australia - a poetic celebration of our connection to the sea as documented through archival footage over the past 100 years.
The Platypus Guardian (2023)
In a time of hardship, Hobart resident Peter Walsh turns to the secretive platypus for solace, only to discover it is the platypus that need his help to survive in a habitat under threat.
Feed Them to the Cannibals! (1993)
Originally broadcast on ABC's True Stories in 1993, Feed Them to the Cannibals tells the story of Sydney's Gay and Lesbian Mardi Gras. It was the first time cameras were allowed at Sleaze Ball and the Mardi Gras Party.
Smile (2018)
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
Short Stack Live at the Sydney Opera House (2011)
In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.
Black Man's Houses (1993)
In 1832 the government of Van Diemen’s Land sent the last Aboriginal resistance fighters into exile at Wybalenna on Flinders Island, bringing an end to the Black War and opening a new chapter in the struggle for justice and survival by Tasmanian Aboriginal people. Black Man’s Houses tells a dramatic story of the quest by Aboriginal people to reclaim the graves of their ancestors against a background of racism and denial. Documenting a moving memorial re-enactment of the funeral of the great chief Manalargenna, the film also charts the cultural strength and resilience of his descendants as they are forced to fight for recognition in a society that is not ready to remember the terrible events of the past.
Healing Heart Feeling Country (2023)
Witness country come alive as Mark Cora, proud Minjungbal man and cultural educator unveils the rich contexts that shape his evocative artwork, The Wind Dancer.
Wild Australia: After the Fires (2020)
Charting the recovery of wildlife in the aftermath of Australia's catastrophic bushfires through stories of hope and resilience.
Kakadu: Land of the Crocodile (1988)
Val Plumwood, environmental philosopher returns to Kakadu, where she was the victim of a crocodile attack. Against the backdrop of the steamy, intensely beautiful Kakadu National Park, she shares her thoughts on wilderness and wildlife.
Welcome to the Waks Family (2003)
Everyday life in the Waks household is a logistical challenge of monumental proportions. There are two minibuses to move the family around and the kitchen in its suburban Melbourne home has five ovens for kosher cooking. The family follows an orthodox form of Judaism. School, work, synagogue and socialising all take place within a tight-knit Jewish community.
The Last of the Nomads (1997)
Like an antipodean version of Romeo and Juliet, it emerges that Warri and Yatungka became the last nomads because they had married outside their tribal laws and eloped to the most inaccessible of regions. In 1977 the land was stricken by a severe drought and their tribal elders mounted a search for them with the help of a party of white men led by Dr Bill Peasley and one of their own number, a childhood friend named Mudjon. The film takes Dr Peasley back into the desert to relive his momentous journey with Mudjon and culminates with poignant archival footage of the elderly couple found naked and starving.