In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”. This immersive new documentary reveals the Nazi’s complicated relationship with classical and modern art, displaying an incredible number of masterpieces by Botticelli, Klee, Matisse, Monet, Chagall, Renoir and Gauguin amongst others, intertwined with human stories from the most infamous period of the twentieth century. A state-of-the-art detective story exploring the Nazis’ obsession with creative expression, Hitler versus Picasso combines history, art and human drama for an unforgettable cinema experience.

White Walls Say Nothing (2017)
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

The Great Patriotic War (1965)
This communist history film recalls the heroism of Soviet soldiers fighting the Nazis in World War II. Forty of the 236 cameramen used for the feature were killed during their mission filming the Red Army.

Siegen oder sterben (1976)
The impact of new documents from the international conflict that shook the world is enormous. Never-before-seen footage has emerged for the first time from previously secret archives. The murderous encirclement battles in Russia, the Battle of Britain, and the heroic deeds of countless lone fighters in Potsdam complete the circle of horror, from the Polish campaign to the harrowing images of refugee treks in the winter of 1944/45.

Charlotte Salomon: Life and the Maiden (2022)
In 1940, the German artist Charlotte Salomon (1917-43) undertook an extraordinary artistic adventure, during which she combined painting, text and music: in only eighteen months, she painted more than a thousand paintings. In 1943, she was arrested by the Nazis and sent to the Auschwitz extermination camp.

The American Invasion (2015)
In January 1942, the order activating the 'US Air Forces in the British Isles' was announced. On 12th May, the first contingent of USAAF personnel arrived in England, the beginnings of what was to become the largest air force in the world. The British people had never seen anything like them. Michael Brandon (Dempsey and Makepeace) presents the story of the courageous young Americans who fought the war from the foreign fields of eastern England. And of the local populations who welcomed them, resented them, admired and loved them. "The American Invasion" provides a powerful record of a momentous period in American and British history.

Richard Hugo: Kicking the Loose Gravel Home (1976)
Filmed on location in Montana and Washington State, this 1976 biography of poet and teacher Richard Hugo features readings of some of his most famous poems as well as interviews with his family and friends.

Man Ray: Prophet of the Avant-Garde (1997)
Man Ray, the master of experimental and fashion photography was also a painter, a filmmaker, a poet, an essayist, a philosopher, and a leader of American modernism. Known for documenting the cultural elite living in France, Man Ray spent much of his time fighting the formal constraints of the visual arts. Ray’s life and art were always provocative, engaging, and challenging.

Cartoneras (2018)
Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

Achieving the Unachievable (2007)
M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?

Hitler: The Comedy Years (2007)
A documentary about the portrayal of Adolf Hitler in popular culture.

The Crying Fields (2019)
A deep dive into the history of the Canadian Government and the Department of National Defence leasing First Nations reserves as practice bombing ranges during World War I and World War II. This documentary follows the Enoch Cree Nation's process of developing it's land claim against the Canadian Government following the discovery of active landmines in the heart of the nation's cultural lands and golf course in 2014, almost 70 years later.

Martin Blaszko III (2011)
Martin Blaszko is considered one of the most important artists of geometric abstraction in Latin America. This documentary, which ends a trilogy, follows the setup of what ended up being his last art show, through only twenty sequences.

All Rendered Truth: Folk Art in the American South (2009)
A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.

Pictura (1951)
A documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.

The Living Museum (1998)
At the Creedmoor Psychiatric Center in Queens, New York, Dr. Janos Martin helps treat patients with severe mental illness by encouraging them to express themselves through art, whether in paint, sculpture, or collage. In vivid imagery, brilliant close-ups, and delicate conversations, director Jessica Yu presents the intricate, often visionary, work of these nontraditional artists, allowing the patients to describe their approaches and processes in their own, sometimes tangled, words. With patience and calm resilience, Dr. Martin offers feedback and ideas for best methods to the individual artists, who sometimes scream or are in tears, as he helps them displace their frustrations, and demons, onto canvas. Seen as a collective, these works illustrate the fine line between creativity and distress and illuminate the healing power of expression.