One woman and her family trek the broken mental health system in an effort to save her brother as he descends into madness. Beginning as a testimony of his sanity, his iPhone video diary ultimately becomes an unfiltered look at the mind of an untreated schizophrenic.
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Cut off from his loved ones due to the strict COVID-19 lockdown at the long-term care facility where he lives, a quadriplegic rabbi is filmed by his daughter while reflecting on love, mortality and longing.
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Two Norwegian sisters receive a premonition from God that makes them buy an apartment in a tiny Swedish town, Gullspång. Meeting the seller, she is a dead-ringer of their older sister, who committed suicide 30 years ago.
On the Other Island (1968)
Loose collection of individual portraits of the inhabitants of the Isle of Pinos [now Isla de la Juventud], who tell their stories, share ideas and discuss topics such as racism and crime.
Broken Promises: The High Arctic Relocation (1995)
In the summer of 1953, the Canadian government relocated seven Inuit families from Northern Québec to the High Arctic. They were promised an abundance of game and fish - in short, a better life. The government assured the Inuit that if things didn't work out, they could return home after two years. Two years later, another 35 people joined them. It would be thirty years before any of them saw their ancestral lands again. Abandoned in flimsy tents, the Inuit were left to fend for themselves in the desolate settlements of Resolute Bay and Grise Fiord, where the sea was nearly always frozen and darkness reigned for months on end. Suffering from hunger, extreme cold, sickness, alcoholism and poverty, Québec's Inuit had become the victims of a government policy supposedly designed to return them to their "native state". Evidence points to the government's wish to strengthen Canada's sovereignty in the Arctic as playing a part in the decision to relocate.
The Scars (2019)
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
Butterfly Girl (2014)
At first glance, it is not obvious that Abbie Evans lives with a life-threatening skin disease. She is a typical teenager: moody, rebellious, irreverent, and is also strikingly beautiful. But her life is the antithesis of normal. Abbie grew up in hospitals, cared for by her protective mother. She then came into her own in honky tonks, selling merchandise for her father’s band. But just like any other 18 year-old, Abbie yearns for an identity of her own. Butterfly Girl charts Abbie’s journey towards a new understanding of how she must balance her past with her future, her parents with her independence, and her disease with her desires. But what price must she pay for that freedom?
Lady Valor: The Kristin Beck Story (2014)
A former U.S. Navy Seal seeks life, liberty and the pursuit of happiness living life as a transgender woman.
Seeds of Time (2013)
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Wicker Kittens (2014)
Every January, the country's largest jigsaw puzzle contest is held in St. Paul, Minnesota. Choose your favorite team and watch them try to put the pieces back together.
Evaporating Borders (2014)
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Deep Water: The Real Story (2016)
In the 1980s and 1990s a wave of murders bloodied the idyllic coastline of Sydney’s eastern suburbs. The victims: young gay men. Disturbing gang assaults were being carried out on coastal cliffs around Sydney, and mysterious deaths officially recorded as "suicide", "disappearance" and "misadventure". Individual stories are woven together by first person interviews and detailed re-enactments, piecing together the facts of these unsolved cases, decades later.
I Walked with a Werewolf (2009)
Academy Award winning make-up artist Rick Baker reflects on An American Werewolf In London and The Wolfman.
We Are Not Princesses (2018)
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‘Podwórka’ captures six groups of neighbourhood youth as they play in seemingly deserted yards, offering an intimate portrait of daily life in Łódź, Poland. Shot with a fixed camera, this single-channel video projection highlights American artist Sharon Lockhart’s concern for the interrelationship between the still and the moving image.
Time Being (1991)
Gunvor Nelson stares intently at her mother Carin, a woman whose body has been devastated by the challenges of her last days on this earth. In three astute shots, Nelson looks with honesty rather than awe at a woman whose spirit has somehow flown away but whose body still demands a share of our time and our space.
John Travolta, le miraculé d'Hollywood (2017)
The gripping story of legendary American actor John Travolta: his rise to stardom in the 1970s; his agonizing fall in disgrace in the 1980s; and his stunning artistic rebirth in the 1990s.
