Part road-movie and part intimate portrait of lives in transit, IT WILL BE CHAOS unfolds between Italy and the Balkan corridor, intercutting two unforgettable refugees stories of human strength and resilience.
Prisoners of Fate (2023)
After the hardships of fleeing their home countries, refugees from Afghanistan and Iran face the challenge of having to adapt to a new environment: Switzerland.
The Valley (2019)
As thousands of migrants attempt to cross the French-Italian border on foot through treacherous mountain routes, the state cracks down on the local communities that come to their aid in this revealing look at an unfolding human rights crisis.
Refugee (2018)
A harrowing account of Europe's migrant crisis. A family of Syrian refugees separated by the borders of Europe, fight to be reunited as they migrant from Syria to Germany.
Son of the Streets (2020)
13-year-old Khodor is a child whose family tries to issue him an ID document that proves his existence and gives him the right to education, health-care and movement outside of the Palestinian refugee camp of Shatila in Beirut, Lebanon. Through the process, many of the family's old secrets are revealed.
Sea Sorrow (2017)
A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.
Thrown into Canada (2022)
This documentary explores the history of Canada’s first major migration of non-European and non-white refugees who arrived in 1972 when Ugandan President Idi Amin expelled all South Asians from the country. Their story of struggle and hope became part of Canada’s conversations about refugees and cultural pluralism, and informed the Canadian response to future refugee movements.
Cohen's War (2005)
An hour-long portrait of Canadian immigration lawyer, M. Lee Cohen, renowned for his work with refugees. The film follows his representation of Sonya Pecelj and Vladimir Zalipyatskikh. The first case follows a young woman, Sonya Pecelj from Kosovo, who seeks sanctuary for more than a year in a church; the second case follows a Russian sailor who dives off a ship in Halifax Harbour to escape virtual imprisonment by the Russian fish mafia.
Human Flow (2017)
More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.
Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan (1985)
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
Into the Arms of Strangers: Stories of the Kindertransport (2000)
In the nine months prior to World War II, 10.000 innocent children left behind their families, their homes, their childhood, and took the journey... to Britain to escape the Nazi Holocaust.
Retrograde (2022)
The story of the last months of the 20-year war in Afghanistan through the intimate relationship between American Green Berets and the Afghan officers they trained.
Banksy Does New York (2014)
On October 1, 2013, the elusive street artist Banksy launched a month-long residency in New York, an art show he called Better Out Than In. As one new work of art was presented each day in a secret location, a group of fans, called “Banksy Hunters,” took to the streets and blew up social media.
Mr. Gay Syria (2018)
In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.
Displacement and Resilience (2019)
The documentary is a five country-based sequences featuring stories about conflict, migration and the experience of exile; Tibetan women refugees in Dharamshala, India, Syrian refugee family in Tunisia, evicted indigenous women in the Phlippines; Rohingya women in Haryana and Delhi, and Syrian women refugees in Canada.
Flee (2021)
Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.
The Perfect Story (2022)
The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.
Ukrainians in Exile (2022)
A documentary that follows Anya, a woman residing in Ukraine during the early stages of the war, who tells her story and contemplates how countries will treat her fellow Ukrainians who were forced to flee.
The Boy of The Fish (2024)
"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.