Flying Machine (2016)

Negra (2020)

I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.

Who's Afraid of Kathy Acker? (2007)

Documentary tracing the extreme life of outlaw writer, performance artist and punk icon, Kathy Acker. Through animation, archival footage, interviews and dramatic reenactments, director Barbara Caspar explores Acker's colorful history, from her well-heeled upbringing to her role as the scribe of society's fringe.

Best Of Havoc #1 (2001)

Havoc is the original motorsport disaster series - often emulated but never equalled in its ability to amuse, entertain and even shock! Now in Best of Havoc 1 we present the very best crashes from many thousands of hours of original motorsport archive in one entertaining and often hilarious DVD. There's metal curling madness in all its forms, trucks doing the monster mash, Formula Fordsters taking up aeronautics, mud-wrestling quads, the Formula 2 'take-off' at the Nurburgring, Bike GP rodeo riders, Paris-Dakar dune-busters, manic motocrossers and the 10 out of 10 performances of the nutty Norwegian rally brigade - these are just a few of over 200 megaprangs that have crashed their way into the Havoc hall of fame!

The Metaphor That Became a Room (2025)

The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.

The Judge (2017)

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

Little Girl (2020)

7-year-old Sasha has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France.

Peach (2014)

How are biographies charted? How is identity constructed? Can we relive our past, reinvent it, rearrange or recycle it? Can we really know who we are if we ignore where do we come from?

La identidad que hemos construido (NaN)

Marcela, Anabella and Estrella are three trans women who have defied the lifespan expected for a trans person. Through their recollections, one explores the memory’s strength, resistance and love for life of these three women.

Fadia’s Tree (2022)

While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.

Victoria (2021)

In a small and conservative city in Jalisco, Alex builds his identity and defends his dreams: fatherhood, music, being a man.

Son (2022)

Actually, Tomas knows his parents. Born in Brazil in 1993 and adopted from there, he now lives with them in the Netherlands. Now he is faced with the question of whether he should look for his biological mother, or if there are reasons not to do so.

A Taboo Identity (2017)

Sociologist David W. Wahl explores the identity work involved in Kay Parker shifting from being a legend of the adult film industry to her current occupation as a metaphysical counselor.

South (2020)

What kind of power is accessible through the discovery of a voice? Morgan Quaintance interlinks two anti-racist and anti-authoritarian liberation movements in South London and Chicago’s South Side with his own biography to explore what happens when speech is ignored, and the voice fades.

Shelley in Wonderland (2021)

Shelley is a timid elderly lady who is competing in the Miss Senior USA pageant. Immersion in an extravagant world that also touches on the universal need for visibility, beauty and being included.

We, the Wolfs (2026)

Darío follows in the footsteps of his famous ancestor to uncover a hidden chapter in his family's history. With the help of previously unknown relatives, he questions his own origins and discovers other truths. A personal exploration of identity and colonialism.

Alone Out Here (2020)

In a moment of catastrophic climate change, Jon Wright, a gay farmer, is faced with a dilemma. His 22-year commitment to transform the genetics of his herd are pitted against the attitudes of the beef industry, who hold the future of his families 4th generation farm in their hands.Through his incredible journey of loss and survival, we learn what it takes to be true to yourself, at any cost.

Émergence (2018)

Katiana talks about her experiences as a woman in Haiti. As a woman, she faces many limitations and abuses from men who are more privileged than she is. Despite the difficulties of her condition, she has found the courage to achieve greater personal and financial independence.

A Total Accident (1903)

Showing the entire catastrophe resulting from the attempt of Mr. Gorham to ride around the loop the loop on a bicycle. While the enormous crowd watches him he comes down the slide with the speed of the wind, circles the loop, but as he nears the bottom his wheel swerves from the path and the rider crashes into the framework of the structure. Attendants rush up and carry away the injured man. (Biograph Catalog)

Africa Light / Gray Zone (2010)

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

My Village in Nunavik (1999)

Shot during three seasons, Kenuajuak's documentary tenderly portrays village life and the elements that forge the character of his people: their history, the great open spaces and their unflagging humour. Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.