Exiled, yet internationally celebrated Zimbabwean artist Kudzanai Chiurai's demons come to life as he tries to flee South Africa following increasingly fractious experiences on the Johannesburg art scene. His greatest demon “Black Guilt” is one he can never shake off, this burden of having to speak for his people. But Is this responsibility really a burden at all, or is it actually a superpower? Either way, will Kudzi ever be President of His Own State of Being?
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Dawn of the Damned (1965)
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
100 Seconds to Beat the World (2014)
The story of Kenyan athlete David Rudisha, the greatest 800m runner the world has ever seen, and his unusual coach, the Irish Catholic missionary Brother Colm O'Connell.
The Road We Know (2011)
Sexual decisions have deadly consequences. Can a small group of college students from Botswana challenge conventional wisdom about AIDS in Africa to save their generation? "The Road We Know" explores the impact of HIV/AIDS in Botswana through the efforts of these young adults who boldly advocate for behavior change to save lives. Facing cultural taboos and difficult travel, this small group sets out across the nation for five weeks with three tents, one car, and a radical solution to save lives.
Black Is the Color: African-American Artists and Segregation (2016)
Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.
Africa Light / Gray Zone (2010)
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
Land Rush (2012)
A partnership between the Government of Mali and an American agricultural investor may see 200-square kilometers of Malian land transformed into a large-scale sugar cane plantation. Land Rush documents the hopes, fears, wishes, and demands of small-scale subsistence farmers in the region who look to benefit, or lose out, from the deal.
Treasures from the Wreck of the Unbelievable (2017)
This cinematic journey into the waters off East Africa chronicles the story behind artist Damien Hirst's massive exhibition of oceanic treasures.
The Making of Yaaba (1989)
Djibril Diop Mambéty followed and filmed the shooting of Yaaba, Idrissa Ouédraogo's second feature film. A documentary full of humorous anecdotes regarding the dangers of shooting in Burkina Faso.
Memory Books (2008)
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
The Exchange: Six Faces of the Gambia (2009)
On a journey to West Africa, award-winning documentarian Mathew Welsh fashions portraits of six 'middle class' Gambians - taking us beyond stereotypes about Africa - and teaching us that we in the Developed World have a lot to learn from West Africa about how we give, how we live. These are six personalities that will resonate with a Western audience.
Liyana (2017)
A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.
The Wildebeest Migration: Nature's Greatest Journey (2012)
Every year, on the steppes of the Serengeti, the most spectacular migration of animals on our planet: Around two million wildebeest, Burchell's zebra and Thomson's gazelles begin their tour of nearly 2,000 miles across the almost treeless savannah. For the first time, a documentary captures stunning footage in the midst of this demanding journey. The documentary starts at the beginning of the year, when more than two million animals gather in the shadow of the volcanoes on the southern edge of the Serengeti in order to birth their offspring. In just two weeks, the animal herd's population has increased by one third, and after only two days, the calves can already run as fast as the adults The young wildebeest in this phase of their life are the most vulnerable to attacks by lions, cheetahs, leopards or hyenas. The film then follows the survivors of these attacks through the next three months on their incredible journey, a trip so long that 200,000 wildebeest will not reach the end.