Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.
Related Movies
Berlin: Symphony of a Great City (1927)
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Olympia Part One: Festival of the Nations (1938)
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Olympia Part Two: Festival of Beauty (1938)
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
Sans Soleil (1983)
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Ten Minutes of Silence (1997)
The mute documentary-experimental film "Ten Minutes of Silence" is a film expression of the trends embodied in the painting "Black Square" by Malevich and J. Cage in music.
The Bigmoon Nights (1991)
The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.
Everybody's Cage (2015)
In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.
The Sublime of Rectum (2018)
A visually provoking short film about one of the most extreme homosexual practices.
A Life of Extravaganza - The Genius Frank Zappa (1993)
The documentary examines Frank Zappa and his music through archive footage, including unique video excerpts from Austrian television archives featuring interviews with Zappa and backstage scenes from the 1970s and 1980s. The entire film is divided into chapters discussing the most important themes in Zappa's life and work.
Nomad Meeting, The Path Of Odette And Jean-Louis Bernezat (2006)
The Algerian Sahara is the most exceptional deserts. He densifies everything he hosts, men and nature, and invites you to pay attention to the world. Jean-Louis and Odette Bernezat were born at the foot of the Alps, but it was in the Sahara that they found their way, and devoted almost forty years to the discovery of this environment and have extraordinary knowledge to share. Director Maryse Bergonzat accompanies them, in a meha, in the Hoggar in Algeria, with their Tuareg friends. A privileged place to appreciate the desert, its landscapes, its inhabitants, its laws and its stories, in the company of exceptional guides.
Naqoyqatsi (2002)
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
ACT (1989)
Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.
Powaqqatsi (1988)
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
Adagio (2024)
«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.
Pickle (2016)
An ode to man's capacity to care for all creatures throughout their sometimes greatly protracted existence, displayed through the homegrown remedies Tom and Debbie Nicholson create for disabled animals.
Les Mains Libres (1965)
In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.
Baraka (1992)
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
Listening to the Space in My Room (2013)
Ostensibly a portrait of a place where the artist had resided until recently, the new film by Robert Beavers conjures not only the memory but also the physical presence of those who have previously stayed there. Adhering to a solitary intimacy while simultaneously acting as an ode to human endeavour and shared impulses toward fulfillment through art, Listening to the Space in my Room is a moving testament to existence (whose traces are found in literature, music, filmmaking, gardening) and our endless search for meaning and authenticity. The film's precise yet enigmatic sound-image construction carries a rare emotional weight.
Sahara Vertical (1986)
The climbing couple Heinz Mariacher and Luisa Iovane abandon their usual winter training spot to go in search of places more conducive to free climbing in Algeria in the Sahara desert, more precisely in the Hoggar massif, which saw pass the cream of world climbing Lionel Terray, Roger Frison-Roche, Lucien Bérardini, Michel Vaucher, Pierre Mazeaud, Guido Monzino, Patrick Edlinger, Patrick Berhault and many others. Their objective, to climb the east face of Garet El Djenoun, 500 m high, failed because the wall was too smooth and the cracks unstable. The journey continues in the Hoggar massif towards other peaks, where they find the climbing conditions they were hoping for. An overhang in the face of Tizouyag Nord will prove to be a major challenge for Heinz Mariacher.
The Hymns of Muscovy (2018)
The film is a trip to the planet Muscovy - an upside-down twin city of Moscow in space. As the title of the work suggests, the journey also takes us back in time. Gliding over the surface of the planet, we look down and see historic architectural styles fly by - the exuberant Socialist Classicism, aka Stalinist Empire, the austere and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem.