Nando, a young horse wrangler in a rural Mexican village, has taken his own life following a disagreement with his father. Caballerango shows the boy’s family members and townspeople as they reckon with the new realities borne out of this inexplicable tragedy. Each account of Nando’s story reveals a different aspect of this rural town, which is deeply affected by modernization. The confrontation between the centuries-old ways of life and the modern-day world seems to be creating serious identity crises among the younger generation. The story is told in a patient, observational style with methodical shots of the landscape, ranches, and of the two white horses, whom Nando and his father tended to. Those horses, the last to see Nando alive, connect us to an ethereal sensation of almost otherworldly mystical beings.
The Bridge (2006)
The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.
Full Metal Village (2007)
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
After Death (2023)
Based on real near-death experiences, the afterlife is explored with the guidance of New York Times bestselling authors, medical experts, scientists and survivors who shed a light on what awaits us.
Terres noires (1961)
Pseudo-ethnological documents about two villages which, without roads and electricity, "stopped existing".
Féria (1961)
A Sunday fair with hunger in the air, in a lost Galician village under the black umbrellas of a pitiless rain...
What Doesn’t Kill Me: The Life and Music of Vic Chesnutt (2016)
A documentary about the singer/songwriter Vic Chesnutt
To Stay Alive: A Method (2016)
Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.
America's Hate Preachers (2016)
Director Hannah Livingston spends 6 months tracking two of America's most radical Christian hate groups - a notorious pastor from Arizona and a network of extremist preachers.
Ernest Hemingway: Wrestling with Life (1997)
A&E's long-running biography series takes a look at one of the 20th century's most emblematic figures, Ernest Hemingway. Through a collection of still photography, narration by granddaughter Mariel Hemingway, commentary from author A.E. Hotchner and publisher Charles Scribner, and readings from Hemingway's writing (including personal letters and unpublished works) by Scott Glenn, the film takes us from the man's Midwestern childhood roots up through the tragic suicide that serves as a bittersweet exclamation on what is otherwise considered to be a life of profound accomplishment.
Still (2014)
The documentary tells the story of Uschi, a farmer living free and recluded in the bavarian alps. Shot in epic black and white pictures, Still follows Uschi's life over a ten year period. From an untroubled summer of making cheese through pregnancy and the uncertain future of the parental farm, Matti Bauer portrays Uschi's struggle to keep alive the dream of a way of life that has become rather untypical in this day and age.
Faces Places (2017)
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
Koyaanisqatsi (1983)
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Faces of Death (1978)
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
The Artist’s Garden: American Impressionism (2017)
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
Days of Black and Yellow (2019)
New York cab and black car drivers are facing economic and emotional hardship in a city dominated by ride-share apps. As these long standing industries are decimated by economic and political forces, drivers are forced to cope or fight back.
That Kid (1976)
A group of educators led by Fernand Deligny are working to create contact with autistic children in a hamlet of the Cevennes.
Everyday Life in a Syrian Village (1974)
The first documentary to present an unabashed critique of the impact of the Syrian government’s agricultural and land reforms, Everyday Life in a Syrian Village delivers a powerful jab at the state’s conceit of redressing social and economic inequities.
Permission to Exist (2020)
In just sixty years, South Korea went from being one of the poorest countries on the Asian continent to having the 12th largest economy in the entire world. Every year, it is measured that Korean students have some of the highest test scores and a higher rate of acceptance into Ivy League schools compared to all other nations. But on the flip side, South Korea also has one of the highest suicide rates in the developed world, the highest gender pay gap of all developed countries, and the highest plastic surgery rate per capita. Always expected to receive top scores and constantly bombarded by media and messages that seem to demand nothing short of visual “perfection,” how do these individuals come to accept and learn to love themselves as they are?
Boy Interrupted (2009)
On the night of Oct. 2, 2005, Hart and Dana Perry's 15-year-old son Evan jumped to his death from his New York City bedroom window. This moving film is the story, told by his filmmaker parents and others who knew him, of Evan’s life and death, and his life-long struggle with bipolar disorder. It delves into the complexity of Evan's disease, sharing his family's journey through the maze of mental illness. In showing how one family deals with generations of loss and grief, the film defies the stigma related to mental illness and suicide and tells a human story that touches everyone.