A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.
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Biker Women (1996)
A fresh take on the outlaw spirit, focusing on a road trip by four motorcyclists who forge deep friendships over nearly 3,000 miles. Zeros in on four California women who get to know one another while traveling to and from Sturgis, South Dakota, for the world’s largest biker gathering, an annual event since 1938. The rally is a heady brew of races, partying, and exhibitionism under the Great Plains sun. The central quartet have come to Sturgis not merely to revel but to work: Among them are two journalists (Cris Sommer-Simmons, cofounder-founder of Harley Women magazine; and Jamie Elvidge, who specializes in test-riding bikes), a singer-songwriter (Gevin Fax) and a photographer (Gail DeMarco). Combines footage of the women’s trip and post-travel interviews.
Anima Mea (2022)
When Mariana connects the Military Dictatorship's violent legacy as the structure behind Brazilian families, she embarks on an introspective journey to deconstruct her family life growing up in Brazil.
Blame It on Fidel! (2006)
A 9-year-old girl weathers big changes in her household as her parents become radical political activists in 1970-71 Paris.
The Wild Parrots of Telegraph Hill (2003)
A homeless musician finds meaning in his life when he starts a friendship with dozens of parrots.
Karen: Women In Sports (1977)
Guest speakers from "Women In Motion" Conference, Vancouver, B.C. 1975.
Call Jane (2022)
A married woman with an unwanted pregnancy lives in a time in America where she can't get a legal abortion and works with a group of suburban women to find help.
Jay Myself (2019)
Photographer Stephen Wilkes creates an intimate portrait of his mentor, Jay Maisel, as he leaves the 30,000 square foot building in the Bowery that he's inhabited and filled with his eccentric collection of beautiful random objects for the last 40 years - known as 'The Bank.'
Behind the Planet of the Apes (1998)
Roddy McDowall takes you, film by film, from production meetings to make-up sessions, then right onto the movie set to see the actual filming of the science fiction masterpiece. The most comprehensive history of Planet of the Apes ever created, this fascinating 127-minute documentary explores one of the most imaginative and influential series in movie history.
Grey Gardens (1976)
Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
News from a Personal War (1999)
Documentary about urban violence in Brazil, especially in Rio de Janeiro. Policemen, drug dealers, and shantytown dwellers get trapped into a daily war that knows no winners.
Cotton Mill, Treadmill (1970)
Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.
Jakub (1992)
Jakub presents an extensive ethnographical-sociological study of the life of the Ruthenians, filmed in the Maramuresh mountains in the north of Romania and in the former Sudetenland in Western Bohemia. The film was made over a period of five years during the time of both totalitarian regimes and was completed in 1992 after the revolution.
Roundhay Garden Scene (1888)
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
This Is Personal (2019)
While the 2016 election catalyzed the Women’s March and a new era of feminist activism, Tamika Mallory and Erika Andiola have been fighting for their communities for decades. Their stories expose the fundamental connection between personal and political and raise the question: what's intersectionality and can it save the world?
Fast Horse (2018)
The Blackfoot bareback horse-racing tradition returns in the astonishingly dangerous Indian Relay. Siksika horseman Allison Red Crow struggles with secondhand horses and a new jockey on his way to challenging the best riders in the Blackfoot Confederacy.
Paradise Lost 2: Revelations (2000)
Revisiting the 1994 Arkansas murder of three 8-year-old boys and the three teenagers convicted of the crime. A follow up to Paradise Lost, Revelations features new interviews with the convicted men, as well as with the original judge and police investigators.
Animert i 100 år 1913-2013 (2013)
Norwegian film institute celebrates 100 years of Norwegian animated film with the release Animated for 100 years. Animated in 100 Years 1913-2013, is a unique collection of 34 films on Blu-ray. This is a celebration of Norwegian animation film with a broad presentation of various films, techniques and directors. The collection spans 100 years of imaginative film and reflects the technical development and diversity of Norwegian animation. Here is Roald Amundsen On The South Pole (1913), which is one of the first animation made in Norway, the early Caprino film Music in the Attic (1950), Morten Skalleruds The Year along the Abandoned Road (1991), which has been voted the best Norwegian short film of all time, the Oscar winner The Danish Poet (2006) and Anita Killis; Angry Man (2009).
Cycling the Frame (1988)
In 1988, Tilda Swinton toured round the Berlin Wall on a bicycle - starting and ending at the Brandenburg Gate - accompanied by filmmaker Cynthia Beatt. As Swinton travels through fields and historic neighborhoods, past lakes and massive concrete apartment buildings, the Wall is a constant presence.
When I Will Be Dictator (2013)
A diffraction of the autobiography using family footage filmed between the 1940s and today, this "science fiction documentary" creates multiple "I"s and transcends a story of mourning
Ariel (2013)
When Ariel was just 33, his legs were shredded by an industrial dough mixer in Mendoza, Argentina. He became a living embodiment of the ongoing duel between man and machine. From that point on, he began to rediscover the meaning of freedom: to rebuild his broken identity, keep his family together and design his own prosthetic legs. Following Ariel for 10 years from the time of the accident, director Laura Bari has created an intimate and metaphorical portrait of Ariel’s newfound transhumanity, juxtaposing his daily life with dreamlike inner worlds—and pushing the boundary between the real and the imaginary.