When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.
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The Panafrican Festival in Algiers (1969)
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Living in the shadow of Canadian sports legend Lionel Conacher (1900–1954), whose legacy spans five sports, is a daunting challenge for any relative. For great-grandchild Lionel IV, better known as Chas, that challenge extends beyond athletics into the realm of self-discovery. As a non-binary individual navigating identity in the 21st century, Chas explores both the weight of their family’s star-athlete lineage and the evolving landscape of queer identity in a documentary that bridges nostalgia with forward-looking reflection.
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The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.
Pour Que Ses Jours Fleurissent (1983)
Six o'clock in the morning, the sun rises behind the Djurdjura mountain. With precise gestures, learned since childhood, Ouardia raises the water, crouches down to splash his face with cool water. Soon her baby will be born. Hadjila, the traditional midwife, prepares herself internally to help the mother complete the transition from separation. This film talks about the knowledge surrounding birth that Kabyle women have passed down for centuries; knowledge that European women seek to rediscover in order to reclaim this founding passage of our lives.
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Mommy Dead and Dearest (2017)
Child abuse, mental illness, and forbidden love converge in this mystery involving a mother and daughter who were thought to be living a fairy tale life that turned out to be a living nightmare.
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Two teams of experts go to extraordinary lengths to take shark science into the wild as they investigate two of the most iconic shark superpowers - speed and bite force.
Cherub of the Mist (2006)
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The Man Who Definitely Didn't Steal Hollywood (2024)
Giancarlo Parretti was central to one of Hollywood’s greatest scandals. In 1990, Parretti bought iconic James Bond studio Metro-Goldwyn-Mayer/United Artists for $1.3B with high hopes. However, within weeks, the 17th James Bond film (GoldenEye) was put on ice, paycheques to Dustin Hoffman and Sylvester Stallone had bounced, and hundreds of staff were fired. Parretti soon faced an FBI investigation for alleged financial irregularities and his ownership of Hollywood’s most famous studio spiraled out of control.
