America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. With the return of a figure from the past, long buried truths are forced to the surface and the price of their American dream is laid bare.
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National Theatre Live: Of Mice and Men (2014)
A powerful portrait of the American spirit and a heartbreaking testament to the bonds of friendship.
Sweeney Todd: The Demon Barber of Fleet Street (2014)
In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.
National Theatre Live: Cat on a Hot Tin Roof (2018)
Tennessee Williams’ twentieth century masterpiece Cat on a Hot Tin Roof played a strictly limited season in London’s West End in 2017. An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
Giselle (2016)
The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. Giselle kills herself. Her soul enters the ranks of the Wilis – shades of young women who died before their wedding day. All men that come across their path are compelled to dance themselves to death, and Albrecht falls into their trap. Giselle’s intercession saves Albrecht and releases her soul from the Wilis’ power.
Phèdre (2003)
Hèdre is queen but doesn't love the king. She prefers his son Hippolytus, whom he had from a first marriage, to Theseus. A guilty love, hidden by feigned hatred, that makes her suffer and perish, and that she can't keep from confessing as soon as she hears of the king's death. But Hippolyte doesn't love her. And the monarch is only wounded. Ashamed, the queen can no longer look at him. Oenone, her confidante, tries to save her by making the king believe that the outrage comes from his son. Fanned by Theseus, the fury of the gods strikes Hippolytus. The adulteress kills herself.
Don Giovanni (1990)
Every woman wants him, every man wants to be him: Mozart’s version of the irresistible rogue who brings excitement with him and leaves destruction it his wake has always attracted top singing actors, as in this performance brilliantly led by James Levine. Samuel Ramey is Don Giovanni, pursued by the incandescent Karita Mattila (Donna Elvira) in her Met debut season and role, and by the white-hot avenging fury of Carol Vaness (Donna Anna.) Ferruccio Furlanetto delivers a masterful comic turn as the Don’s servant, Leporello.
Billy Elliot: The Musical Live (2014)
In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.
Cradle Will Rock (1999)
A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.
Things I Know to Be True (2017)
As beautifully touching as it is funny and bold, Things I Know To Be True tells the story of a family and marriage through the eyes of four grown siblings struggling to define themselves beyond their parents’ love and expectations. Parents Bob and Fran have worked their fingers to the bone and with their four children grown and ready to fly the nest it might be time to relax and enjoy the roses. But the changing seasons bring home some shattering truths. Featuring Frantic Assembly’s celebrated physicality, and co-directed by Frantic Assembly’s Tony and Olivier Award nominated Artistic Director Scott Graham and State Theatre Company’s Artistic Director Geordie Brookman, Things I Know To Be True is a complex and intense study of the mechanics of a family that is both poetic and brutally frank.
Dom Juan (2005)
Escorted by his valet Sganarelle, Dom Juan, a libertine gentleman, brave and hypocritical, seduces women, fights duels, denies his father's authority, and mocks Heaven. Carried away by his passion for women and gambling, he goes so far as to commit perjury. A classic revisited by Mesguich with a lot of visual effects: special effects, magic tricks, imposing sets. A playful staging for this tragi-comic play.
Rendez-vous (1985)
Nina is a young, carefree actress who arrives in Paris searching for her big break. There, she finds drama both on- and offstage as she becomes involved with three men: a mild-mannered real-estate agent who offers her stability, a bad-boy actor who lives dangerously on the edge, and an intense theater director who casts her in a production of “Romeo and Juliet.” As opening night approaches, the emotional extremes of Nina’s love life fuel her art.
Unlikely Heroes (2014)
In order to win the respect of her friends and family, divorced housewife Sabine decides to perform Wilhelm Tell with a group of Asylum seekers in the Swiss mountains.
National Theatre Live: King Lear (2014)
An aged king decides to divide his kingdom between his three daughters, according to which of them is most eloquent in praising him. His favourite, Cordelia, says nothing. Simon Russell Beale, whose recent appearances at the National include Timon of Athens and Collaborators, takes the title role in Shakespeare’s tragedy.
Me (1973)
Tomby, a challenged teenage boy, manipulates his family who cater to his every desire. Only his twin brother Greg treats him as a human being capable of development. A powerful drama / dark comedy with a surprising ending.
National Theatre Live: Othello (2023)
Farewell the tranquil mind. A bright, headstrong daughter of a senator; elevated by her status but stifled by its expectations. A refugee of slavery; having risen to the top of a white world, he finds that love across racial lines has a cost. Wed in secret, Desdemona and Othello crave a new life together. But as unseen forces conspire against them, they find their future is not theirs to decide.
National Theatre Live: The Corn Is Green (2022)
One person can make all the difference. Miss Lily Moffat arrives in rural North Wales, determined to help young local miners out of poverty by teaching them to read and write. Lily soon spots talent in the unruly Morgan Evans, but when she faces growing resistance from the community, she does everything in her power to forge him a new future.
Christmas Encore (2017)
A struggling actress is cast in her last off (off) Broadway show - a modern take on “A Christmas Carol” - before giving up her dream and moving home. Instead, she finds romance with her director and a renewed passion for her craft and the city. But when the historic theater loses its lease and the show is set to fold, she and her cast mates are need of a Christmas miracle.
Acting and Reality (1990)
TV drama set in the modern settings of an artistic couple from well-off background, between their working and sleeping room, as well as Croatian national theater.
