Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.
Muxes (2016)
In the indigenous communities around the town of Juchitán, the world is not divided simply into males and females. The local Zapotec people have made room for a third category, which they call “muxes” - men who consider themselves women and live in a socially sanctioned limbo between the two genders.
Bean (1997)
Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.
Don't You Worry, It Will Probably Pass (2003)
Three Swedish teenagers express their thoughts about bi- and homosexuality while navigating questions of identity, self-acceptance, and societal expectations. Through personal stories and reflections, the film explores their struggles, hopes, and the challenges of growing up as LGBTQ+ youth in Sweden.
Trap Jazz (2023)
Atlanta musicians behind some of the biggest names in music embark on an uncertain journey into the spotlight with a new genre of music that fuses trap music with jazz.
Synonymous With (2021)
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
Passing (2015)
A short documentary profiling the lives of three transgender Black men, exploring what life is like living as a Black man when no one knows you are transgender, and their journeys with gender in the years since they transitioned.
A River Runs Through It (1992)
The Maclean brothers, Paul and Norman, live a relatively idyllic life in rural Montana, spending much of their time fly fishing. The sons of a minister, the boys eventually part company when Norman moves east to attend college, leaving his rebellious brother to find trouble back home. When Norman finally returns, the siblings resume their fishing outings, and assess where they've been and where they're going.
Star Boys (2017)
Through the eyes of two 12-year-old boys, the sexual revolution arrives in a conservative and religious small town in Northern Finland.
anohana: The Flower We Saw That Day - The Movie (2013)
A year has passed since Menma's ghostly return to the Super Peace Busters. Although the time they spent together during that summer was short, the five members reminisce about what happened as they each write a letter to their lost friend.
The Male Gaze: Fleeting Glances (2022)
A release that features 7 shorts from Italy, Israel, Tunisia, New Zealand, the United States and France, exploring those furtive first steps that men take as they decide to act on their sexuality. The 7 short films are: The First Time [La prima volta] (2012); Kiss Me (2022); Nidhal [نضال] (2022); Sparrow (2016); I Am Mackenzie (2019); The Place Between Us [Il posto fra di noi] (2010); By the End of the Night [Que la nuit s'achève] (2018).
This Is Everything: Gigi Gorgeous (2017)
A groundbreaking film that portrays the journey of Gigi Lazzarato, a fearless woman who began life as Gregory, posting fashion videos to YouTube from his bedroom, only to later come out as a transgender female. With never-before-seen personal footage, the film spotlights a family’s unwavering love for a child.
Self Portrait (2020)
The documentary is a portrait of an artist and a portrait of a deadly disease. Lene Marie Fossen was a gifted photographer who suffered from severe anorexia. Self Portrait is a film about the power of art and survival, but it also raises important questions about what treatment one who suffers from severe anorexia needs.
Rebel Dykes (2021)
A heady, energised mash-up of animation, unseen archive footage and interviews, Rebel Dykes provides an intimate insight into the politically charged, artistically radical subculture in 1980s London, and the individuals who helped shape and change their world. Bringing together BDSM nightclubs, inclusive, sex-positive feminism, DIY zine culture, post-punk musicians and artists, squatters, activists and sex workers, these rebel dykes went out onto the streets to make their voices heard. [Feature length version of 2016 short of the same name.]
Warriors of the Discotheque (2015)
The place is the notorious Starck Club (so called because it was the first major project designed by Philippe Starck in the US.) The Starck Club opened in Dallas in 1984 and not long after hosted the 1984 national Republican Convention. Ironically, it was actually legal to buy MDMA aka ecstasy there, people would put it on their credit cards. The DEA stepped in and made it a category 1 drug on July 1, 1985... In a time when ecstasy was legal & guyliner was cool.
Bambi (1942)
Bambi's tale unfolds from season to season as the young prince of the forest learns about life, love, and friends.
The Untold Tales of Armistead Maupin (2017)
The Untold Tales of Armistead Maupin celebrates one of the world’s most beloved storytellers, following his evolution from a conservative son of the Old South into a gay rights pioneer whose novels inspired millions to reclaim their lives.
Boys on Film 23: Dangerous to Know (2023)
Boys on Film presents ten encounters from across the globe, where the dangerous allure of a risky attraction yields emotional results — proving that the age-old adage of taking the plunge is as relevant — and sexy — as ever before. The 10 short films are: My Uncle's Friend [O Amigo do Meu Tio] (2021); Budapest, Closed City [Budapest, zárt város] (2021); Eden (2020); Chaperone (2022); Break Me [Knus meg] (2018); By His Will [שעשני כרצונו] (2021); Red Ants Bite (2019); Jim (2022); Hornbeam (2022); Too Rough (2022).
An Opera for an Empire (2021)
The amazing and epic story of how the Paris Opera House, the Palais Garnier, was built from 1852 to 1870, thanks to the decisive impulse of the French Emperor Napoleon III; a story that is also that of the birth of a golden age for orchestral music, opera and ballet; of the rise of the urban bourgeoisie turned social elite; and of a certain mysterious inhabitant of the darkest corners of a legendary place.