Many young girls dream of becoming ballerinas, but only very few are prepared to apply the all-out effort and make the sacrifices that this dream demands. The famous Vaganova Ballet Academy in St.Petersburg welcomes the most talented and determined young dancers, but it makes them no promises. RT Doc meets some of the young hopefuls storming the doors of the famous Academy to find out more about the dream they share, and to follow them on their first steps towards achieving it.
BACKSTAGE: TXT x EN- (2022)
A look behind the scenes with ‘TOMORROW x TOGETHER’ & ‘ENHYPEN’, two HYBE artists, as they prepare for their first joint performance.
National Gallery (2014)
A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.
If the Dancer Dances (2019)
Filmmaker Maia Wechsler follows choreographer Stephen Petronio as he prepares dancers to restage the 1968 production of "RainForest."
Zénith Zénith (2020)
Inspired by the wind in the grass, the song of birds, the tapestry of the forest, two bodies of water and natural erosion, two dancers and a filmmaker explore the beauty of the Memramcook valley.
Marius Petipa, le maître français du ballet russe (2018)
When he arrives in Saint Petersburg, at the age of 29, Marius Petipa is just an obscure dancer who fled western Europe to escape his debts. He is far from imagining that his engagement in the troupe of the Russian Imperial Ballet, then rather mediocre, will reveal him, forty years later, as one of the greatest choreographers in the history of dance. It is within the Bolshoi Kamenny theaters, then Mariinsky, in a still provincial capital where three productions a year are enough to satisfy an undemanding audience, that this native of Marseille will invent a new art of ballet, over the course of sixty of creations, between 1862 (La fille du pharaon) and 1895 (Le lac des cygnes).
Not Bad at All (NaN)
Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.
In The Eyes Of A Beast (2011)
How do humans and animals see each other? Dominique Loreau captures astonishing exchanges of “views” between people and animals who coexist in the city, in farms, slaughterhouses, zoos, museums, or in a dance rehearsal room. In The Eyes Of A Beast questions the permeable boundary between man and animal.
Cracovienne (1893)
Actors from Warsaw's garden theatres dance a traditional Polish dance, cracovienne.
Madonna: Truth or Dare (1991)
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.
Men at the Barre - Inside the Royal Ballet (2020)
Is there still a stigma for boys who want to enter ballet? Film-maker Richard Macer investigates the reality of being a male dancer today at the Royal Ballet.
Son of Torum (1989)
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
N/um Tchai: The Ceremonial Dance of the !Kung Bushmen (1969)
Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.
Appalachian Spring (1958)
A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.