A life in one-hundred-sixty-four moments.

Roger Waters: Radio KAOS (1988)
A unique LaserDisc release. Billy is a 23-year-old Welshman from the South Wales Valleys. He is mentally and physically disabled, confined to a wheelchair and only able to work his upper body. Though he is conceived as mentally challenged, his disability has actually made him not only a genius, but also superhuman, as he also has the ability to literally hear radio waves throughout all frequencies without aid.

Savant: Kali 47 (2015)
Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.

Perfect Image? (1989)
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

Diva Viva (2008)
Once upon the time on a small island named Taiwan, a neighborhood magistrate receives a secret message from space. 'The apocalypse is near...' the magistrate warns his people, however nobody seems to take his words seriously...
Mal Hallett and His Orchestra (1937)
Mal Hallett and his Orchestra perform three songs with featured dancers

Sing Along (2013)
A sheltered boy with a dream of starring on Broadway survives day-to-day life by imagining the world as a musical.

Brighter - A Short Film (2024)
A short film featuring two new records from Jasmine Cephas Jones' forthcoming debut album PHOENIX, detailing the journey of growth, transformation, and finding one's true self.

Magnifica (2022)
1907. Magnifica, young Costa Rican harpist, is preparing for her concert at the Royal Conservatory of Brussels where she studies with her fiancé. Inspired by the life of Pacifica Zelaya.

Bye Bye (2021)
After graduating from high school, Julien left his hometown to build a bigger life in the capital, leaving his memories behind. And then one day, he had to come back, and that day his memories jumped out at him from between two packets of Pépito cookies.

Trolls: It Takes Three (2023)
It Takes Three is a CG-and-traditionally-animated short film included on the home media releases of Trolls Band Together. Taking place after the events of the film, the short follows Poppy, Viva, and Tiny Diamond as they get sucked into the Hustle-verse, only to discover that it is devoid of hustle.

The Weeknd - Red Terror (2025)
"Red Terror" visual picks up where "Open Hearts" leaves off. The Weeknd is portrayed as a mouthless child who appears to be chased by monsters through an ominous forest as he tries to shed his original form.

Boundin' (2003)
On a high mountain plain lives a lamb with wool of such remarkable sheen that he breaks into high-steppin' dance. But there comes a day when he loses his lustrous coat and, along with it, his pride. It takes a wise jackalope - a horn-adorned rabbit - to teach the moping lamb that wooly or not, it's what's inside that'll help him rebound from life's troubles.

Desolvido (2021)
This is the story of a family that represents the collective memory of Colombia that has lived at war for more than seventy years, a journey through a country submerged in corruption, poor health coverage, and abuse by the military.

NO DIVIDE - A Sticky Film by Rhys Day (2016)
Rhys Day presents NO DIVIDE - a sticky mashup biopic/ videofeast.

Bulimia: The Musical (2014)
BULIMIA: THE MUSICAL follows a young girl's journey from first vomit to last breath, in fifteen minutes of laugh-out-loud, puke-your-guts-out song and dance, all wrapped up with a positive message.

Stop for Bud (1963)
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."