Documentary about "The Coolbaroo Club", which was the only Aboriginal-run dance club in a city which practiced unofficial apartheid. During its lifetime, the Club attracted Black musicians and celebrities from all over Australia and occasionally from overseas. Although best-remembered for the hugely popular Coolbaroo dances attended by hundreds of Aborigines and their white supporters, the "Coolbaroo League", founded by Club members, ran a newspaper and became an effective political organization, speaking out on issues of the day affecting Aboriginal people.
Lakota Nation vs. United States (2022)
Poet Layli Long Soldier crafts a searing portrait of her Oyate’s connection to the Black Hills, through first contact and broken treaties to the promise of the Land Back movement, in this lyrical testament to resilience of a nation.
Soul of the Desert (2025)
A documentary on the road that tracks the journey by Georgina, an elderly transgender woman forced to cross the sandy peninsula Guajira, on foot, to obtain the thing she has desired for almost half a century: a document that will hand her the right to be what she has always felt she was, and will allow her, at long last, to vote.
Hopi: Songs of the Fourth World (1983)
A compelling study of the Hopi that captures their deep spirituality and reveals their integration of art and daily life. Amidst beautiful images of Hopi land and life, a variety of Hopi — a farmer, a religious elder, a grandmother, a painter, a potter, and a weaver — speak about the preservation of the Hopi way. Their philosophy of living in balance and harmony with nature is a model to the Western world of an environmental ethic in action.
Metallica: Some Kind of Monster (2004)
After bassist Jason Newsted quits the band in 2001, heavy metal superstars Metallica realize that they need an intervention. In this revealing documentary, filmmakers follow the three rock stars as they hire a group therapist and grapple with 20 years of repressed anger and aggression. Between searching for a replacement bass player, creating a new album and confronting their personal demons, the band learns to open up in ways they never thought possible.
Buena Vista Social Club (1999)
In this fascinating Oscar-nominated documentary, American guitarist Ry Cooder brings together a group of legendary Cuban folk musicians (some in their 90s) to record a Grammy-winning CD in their native city of Havana. The result is a spectacular compilation of concert footage from the group's gigs in Amsterdam and New York City's famed Carnegie Hall, with director Wim Wenders capturing not only the music -- but also the musicians' life stories.
Yellowtail (NaN)
Yellowtail is the story of a young Native American cowboy searching for meaning as his chaotic lifestyle begins to wear on him both physically and mentally. To find his purpose the young man has to reflect on his upbringing as a native to become the spiritually connect man he was meant to be.
Forests (2022)
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
Bamseom Pirates Seoul Inferno (2017)
Grindcore punks Bamseom Pirates make music suitable for a sick society.
Arctic Summer (2021)
ARCTIC SUMMER is a poetic meditation on Tuktoyaktuk, an Indigenous community in the Arctic. The film captures Tuk during one of the last summers before climate change forced Tuk's coastal population to relocate to more habitable land.
Is the Crown at war with us? (2003)
In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.
500 Years (2017)
From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.
There's Something in the Water (2019)
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
Warrior: The Life of Leonard Peltier (1991)
An intimate exploration of the circumstances surrounding the incarceration of Native American activist Leonard Peltier, convicted of murder in 1977, with commentary from those involved, including Peltier himself.
The Song That Calls You Home (2022)
A personal, scientific, mystical exploration of Amazonian curanderismo, focus on Ayahuasca and Master Plants, their healing and visionary properties and risks, along with the Shipibo people and their songs.
When the Mountains Tremble (1983)
A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.
Baraka (1992)
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
The Sacred Sundance: The Transfer of a Ceremony (2008)
This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.
First Daughter and the Black Snake (2017)
The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.
Queen: Live at the Rainbow (1974)
For long-time fans, this may be the most outstanding concert by Queen. The reason? It gives a perfect overview of an early Queen presentation. The material, the costumes, and the performance of the members are really great and supported by the hilarious conversational approach of a young Freddie Mercury. In one of the last interviews, the singer Freddie Mercury said that the way he looked in those days was ridiculous; many would argue. The band looked very theatrical and outrageous. That's the way that the orthodox, good old fashion Queen fan likes it more, so it's joyful to see the careful treatment of the performance and the power of the Queen sound when all the members of the band sing together.
Ninan Auassat: We, the Children (2024)
Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.