Peer through the lens of a high profile political dissident, banished from the online world. After introducing the viewer to each of the five characters, the film recounts how each individual then came to lose their access to social media and the affect it had on them at the time, and since the event. With their stories told, they present the broader issues raised by their media de-platforming and what they foresee in their future in media and the whole of Western Culture at-large.
Always Online (2018)
This Norwegian documentary asks the question if you really can go around without a smartphone and social medias in todays society. The movie follows 16 year old Elida as through a week without her smartphone and no access to her social medias. During the documentary we also get to hear the perspectives of some of her fellow classmates, a teacher, a professor in information- and media science at the University in Bergen, and leader of the local support group for victims of bullying.
What remains (2022)
A reflection about memory, the digital world and the files that we generate daily through the audiovisual gallery of a mobile phone
His Name Was Jason: 30 Years of Friday the 13th (2010)
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Boiled Angels: The Trial of Mike Diana (2018)
Florida, 1994. Artist Mike Diana is convicted on an obscenity charge in the wake of an undercover police officer purchasing his limited edition zine Boiled Angel. Here is the very unusual story of what led to this First Amendment debacle happening for the first time in the United States.
Princess Diana: The Mourning After (1998)
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
TikTok, Boom. (2022)
Dissecting one of the most influential platforms of the contemporary social media landscape, TikTok, Boom. examines the algorithmic, socio-political, economic, and cultural influences and impact of the history-making app. This rigorous exploration balances a genuine interest in the TikTok community and its innovative mechanics with a healthy skepticism around the security issues, global political challenges, and racial biases behind the platform. A cast of Gen Z subjects, helmed by influencer Feroza Aziz, remains at its center, making this one of the most needed and empathetic films exploring what it means to be a digital native.
Wrestling with Manhood (2003)
Wrestling with Manhood is the first educational program to pay attention to the enormous popularity of professional wrestling among male youth, addressing its relationship to real-life violence and probing the social values that sustain it as a powerful cultural force. Richly illustrating their analysis with numerous examples, Sut Jhally and Jackson Katz - the award-winning creators of the videos Dreamworlds and Tough Guise, respectively - offer a new way to think about the enduring problems of men's violence against women and bullying in our schools.
The Murder of Gabby Petito: Truth, Lies and Social Media (2021)
Examines Gabby's life through the curated lens she created and immerses the viewer in the world of social media sleuthing that was crucial to the case.
The Antisocial Network: Memes to Mayhem (2024)
From Rickrolling to viral conspiracy theories, explore how an anonymous website evolved into a hub for real-world chaos in this documentary.
David Baddiel Social Media, Anger and Us (2021)
This is a thoughtful and mature documentary that considers whether online rage has real-world consequences. Baddiel has experienced antisemitic abuse on Twitter, where he has 785,000 followers. He has had brushes with what is called “cancel culture” and “callout culture”, when users have criticised his use of blackface on TV in the 1990s, for which he has apologised. He is also a self-confessed social media addict – by which he really means Twitter, his primary focus here – and self-aware enough to admit that while he feels he needs it to promote his work, he also understands that he has a psychological need for an audience, and by extension, for audience approval.
Parchís: the Documentary (2019)
The spotlight's on Parchís, a record company-created Spanish boy/girl band that had unprecedented success with Top 10 songs and hit films in the '80s.
Manda huevos (2016)
A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)
The Tinder Swindler (2022)
Posing as a wealthy, jet-setting diamond mogul, an Israeli conman wooed women online then conned them out of millions of dollars. Now some victims plan for payback.
American Murder: The Family Next Door (2020)
Using raw, firsthand footage, this documentary examines the disappearance of Shanann Watts and her children, and the terrible events that followed.
La dictature du bonheur (2019)
The pursuit of happiness (and the display of happiness on social media!) has become a veritable cult. Happiness has become a social imperative, just like slimness, beauty and success. To better understand this obsessive quest for happiness, journalist Marie-Claude Élie-Morin takes an in-depth and personal look into this seemingly pervasive trend that sometimes leads to painful consequences.
Elon Musk’s Twitter Takeover (2023)
Compulsive Twitterer, Elon Musk bought himself his favorite social network in 2022, and brutally shaped it according to his desires. This punchy investigation relates the stormy relations between the platform and the billionaire, and their impact on the public debate.
Video Nasties: Draconian Days (2014)
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.