Prisoners of Fate (2023)
After the hardships of fleeing their home countries, refugees from Afghanistan and Iran face the challenge of having to adapt to a new environment: Switzerland.
The Wind (2015)
The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.
What Is to Be Done? A Journey from Prague to Ceský Krumlov, or How I Formed a New Government (1996)
Quite a few years have passed since November 1989. Czechoslovakia has been divided up and, in the Czech Republic, Václav Klaus’s right-wing government is in power. Karel Vachek follows on from his film New Hyperion, thus continuing his series of comprehensive film documentaries in which he maps out Czech society and its real and imagined elites in his own unique way.
Thrown into Canada (2022)
This documentary explores the history of Canada’s first major migration of non-European and non-white refugees who arrived in 1972 when Ugandan President Idi Amin expelled all South Asians from the country. Their story of struggle and hope became part of Canada’s conversations about refugees and cultural pluralism, and informed the Canadian response to future refugee movements.
Human Flow (2017)
More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.
Mr. Gay Syria (2018)
In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.
A Place Called Chiapas (1998)
In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.
Eldorado (2018)
Drawing inspiration from his personal encounter with the Italian refugee child Giovanna during World War II, Markus Imhoof tells how refugees and migrants are treated today: on the Mediterranean Sea, in Lebanon, in Italy, in Germany and in Switzerland.
Reclaiming the Night (2023)
In the aftermath of war, an extraordinary professor brings hope to children haunted by trauma-induced nightmares.
A Sense of Justice (2023)
A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.
Ukrainians in Exile (2022)
A documentary that follows Anya, a woman residing in Ukraine during the early stages of the war, who tells her story and contemplates how countries will treat her fellow Ukrainians who were forced to flee.
The Donut King (2020)
Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.
The Perfect Story (2022)
The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.
Porta d’Europa (2023)
A migrant boat has been stranded in the Mediterranean Sea for 30 hours. As authorities ignore calls for help, the Sea-Watch Crew, an NGO, launches an urgent search.
Cohen's War (2005)
An hour-long portrait of Canadian immigration lawyer, M. Lee Cohen, renowned for his work with refugees. The film follows his representation of Sonya Pecelj and Vladimir Zalipyatskikh. The first case follows a young woman, Sonya Pecelj from Kosovo, who seeks sanctuary for more than a year in a church; the second case follows a Russian sailor who dives off a ship in Halifax Harbour to escape virtual imprisonment by the Russian fish mafia.
The Nagano Tapes (2018)
Five Rings Films presents the inspiring story of how Czech Republic won gold at the first Olympics to feature professionals from the NHL.
Alma Anciana (2024)
Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.
Into the Arms of Strangers: Stories of the Kindertransport (2000)
In the nine months prior to World War II, 10.000 innocent children left behind their families, their homes, their childhood, and took the journey... to Britain to escape the Nazi Holocaust.
Not Angels But Angels (1994)
Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.