As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.
National Theatre Live: All My Sons (2019)
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. With the return of a figure from the past, long buried truths are forced to the surface and the price of their American dream is laid bare.
Cyrano (2021)
A man ahead of his time, Cyrano de Bergerac dazzles whether with ferocious wordplay at a verbal joust or with brilliant swordplay in a duel. But, convinced that his appearance renders him unworthy of the love of a devoted friend, the luminous Roxanne, Cyrano has yet to declare his feelings for her—and Roxanne has fallen in love, at first sight, with Christian.
If I Forget (2017)
A play about the stories we choose to believe, the compromises we can't avoid and the hurt only our nearest and dearest can inflict. In the final months before 9/11, a liberal professor has reunited with his two sisters to celebrate their father's 75th birthday. Each having their own version of family history, the siblings clash over everything. Destructive secrets and long-held resentments surface as the three negotiate—with biting humor and razor-sharp insight—how much of the past they’re willing to sacrifice for a chance at a new beginning.
Adieu Monsieur Haffmann (2018)
Paris, in 1942. The wearing of the yellow star is decreed. On the verge of bankruptcy, Joseph Haffmann, a Jewish jeweler, offers his employee, Pierre Vigneau, to entrust him with his shop if he agrees to hide it until the situation improves for the Jewish community in France. Will Peter take the risk to clandestinely host his "old" boss? And if so, under what condition? Pierre finally accepted. Named six times for Molières, four times awarded, this play by Jean-Philippe Daguerre has been adapted for the cinema with, in the main roles, Daniel Auteuil, Sara Giraudeau and Gilles Lellouche. The film will be released in 2021.
The Goodbye Girl (1977)
After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.
Stolen Happiness (1984)
Anna and Michailo grow up together, attracted to each other since their earliest days. When Anna's father dies, her brothers force her into marriage with the mean farmer Mikola. After years of absence, Michailo comes home, to get her back.
National Theatre Live: The Motive and the Cue (2024)
In 1964, Richard Burton, newly married to Elizabeth Taylor, is to play the title role in an experimental new Broadway production of Hamlet under Sir John Gielgud’s exacting direction. But as rehearsals progress, two ages of theatre collide and the collaboration between actor and director soon threatens to unravel.
National Theatre Live: Nye (2024)
Confronted with death, National Health Service founder Aneurin ‘Nye’ Bevan’s deepest memories lead him on a mind-bending journey back through his life; from childhood to mining underground, Parliament and fights with Winston Churchill.
Miss Saigon : 25th Anniversary Performance (2016)
The epic love story tells the tragic tale of young Vietnamese bar girl Kim, orphaned by war, who falls in love with American GI Chris — but their lives are torn apart by the fall of Saigon.
The Prince of Egypt: The Musical (2023)
A live stage recording of the musical based on DreamWorks Animation's 1998 film adapted from the biblical story of Moses, from his being a prince of Egypt to his ultimate destiny of leading the Children of Israel out of Egypt.
The Importance of Being Earnest (NaN)
José Dourado uses a double identity to be able to have fun without compromising his image as a rich heir and telecommunications shareholder. His best friend, Agenor Nabuco, makes use of this to invade José's farm and, then, he meets the seductive Cecília Feijó, his friend's niece. Agenor is Patrícia Lobato's cousin, with whom José is in love, but Aunt Augusta, Patrícia's mother, is against the relationship. Love impediments will also be imposed by housekeeper Dona Glorinha and pastor Saulo Malaquias. Then, a plot from the past appears to alter the course of the characters in the story.
National Theatre Live: One Man, Two Guvnors (2011)
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
National Theatre Live: Good (2023)
As the world faces its Second World War, John Halder, a good, intelligent German professor, finds himself pulled into a movement with unthinkable consequences.
National Theatre Live: Under Milk Wood (2021)
A community is sleeping. If you listen closely, you can hear their dreams. The retired sea captain yearning for his lost love. The landlady living in terror of her guests. A father who can no longer access his memories. A son in search of redemption. As they awake to boiled eggs and the postman, the residents of a small Welsh village juggle old secrets and new realities.
Dumula ng Isa, Dalawa, Tatlo... (2023)
A theater group begins their rehearsal on a play about a witness' account of a massacre eventually leading to a confrontation and inner conflicts of the actors portraying their roles.
La fuga (2022)
The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.