Hometown: A Portrait of the American Opioid Epidemic (2018)

2018-05-21

An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.

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Land Without Bread (1933)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

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Aqui Favela, o Rap Representa (2003)

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Yours Truly, SEXYMAJA (2016)

In the summer of 2005 a sensation appeared on domestic social networks in the form of a blog titled “Maja in a brothel.” The author of this blog, whose nickname was “sexymaja”, identified herself as a girl from Belgrade, who has just started in the prostitution business. She soon became one of the most popular persona on the web, entertaining numerous readers with witty and provocative descriptions of the clients she had met. However, after her mysterious disappearance from the scene, suspicions were aroused about the identity of this person. The blog community points a finger at a ghostwriter, who was allegedly responsible for the entire conspiracy. He admits it, but without much hesitation also leads us to its inspiration – a girl who’s actually lived through it all.

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Chasing Dad: A Lifelong Addiction (2016)

An original and compelling documentary depicting one father’s long-term struggle with heroin addiction told through the uniquely intimate perspective of his own son. After years of acrimony and estrangement, young filmmaker Phillip Wood seeks out his father to try and understand what’s happened to him. But his father is now seriously ill and over the next few months Phillip’s visits force both to confront some uncomfortable truths about their past. This documentary offers a strikingly stark exploration of a subject that significantly affected the filmmaker's childhood. An intimate, revealing documentary that shows addiction from a different side and challenges assumptions about how families can rebuild their broken relationships.

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Pitch Black (2023)

Pitch Black takes us inside the claustrophobic worlds of three young men immersed in the online black-pill subculture, as they struggle to reckon with their actions.

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HORIZONTE EM RUÍNAS (2020)

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The Distant Drummer: Bridge from No Place (1970)

This film describes the 1960s drug culture. Addicts discuss their experiences in the United States and in Vietnam. Dr. Stanley Yolles, director of the National Institute of Mental Health (NIMH), talks about the drug culture and the NIMH role in prevention and treatment. The tape describes growth in the use of marijuana and heroin. In 1966, the Narcotic Addict Rehabilitation Act is the first law to give the addict a choice of treatment or jail. Synanon in California is a private, self-help, residential community that helps people deal with their addictions. New York's Daytop Village works not only with addicts on addictions, but on developing a new lifestyle. Methadone, though still experimental, has proved to be an effective treatment for heroin addiction.

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Pier Paolo Pasolini: An Italian Journey (2018)

In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.

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Flamboyants (2021)

The trajectory of flamboyant bodies that expose themselves in their social networks, whether artistic or not, and use these spaces freely.

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The Monopoly of Violence (2020)

As anger and resentment grow in the face of social inequalities, many citizens-led protests are being repressed with an ever-increasing violence. In this documentary, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.

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Focus On Heroin (1971)

This film points out the risks of being a heroin addict. Explains that addicts cannot be identified solely with one particular socio-economic level and cannot always be detected by appearance. Addicts and ex-addicts describe the first and subsequent drugs they used.

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Skin: A History of Nudity in the Movies (2020)

The definitive documentary on the history of nudity in feature films from the early silent days to the present, studying the changes in morality that led to the use of nudity in films while emphasizing the political, sociological and artistic changes that shaped that history. Skin will also study the gender inequality in presenting nude images in motion pictures and will follow the revolution that has created nude gender equality in feature films today.

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Narcotic Deaths (1970)

The purpose of this presentation is to discuss the types of narcotic deaths and drugs encountered by Dr. Milton Helpern in his post as Chief Medical Examiner for New York City and to describe internal and external body changes resulting from narcotism. This objective is achieved with the use of photographs of overdose victims and the equipment found and used by addicts. According to this presentation narcotic addiction which has been a problem for many years has increased markedly within the last twenty years. The use of amphetamines and marijuana is discussed briefly and the equipment used by addicts is described and illustrated. Dr. Helpern then shows photographs of overdose victims and describes the circumstances under which the body was found.

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People of Moon, People of Blood: Yanomami document 1972-1982 (1985)

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Sex, Death & Eyeliner (1999)

Documentary directed by W.K. Border, that which dives into the aspects of contemporary Gothic subculture, vampirism, and BDSM culture. Filmed in 1997 in California.

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Slavery In The 70's (1972)

Heroin anti-drug educational film

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What Did You Take? (1971)

Stresses recognition and treatment of drug abuse emergencies, accurate identification of symptoms, and immediate clinical procedures. Presents scenes of actual cases in the emergency room and adjoining physician's offices of Beth Israel Medical Center in New York City. Viewers observe emergency treatment of patients in the major classes of drugs commonly abused, opiates, depressants, stimulants, and hallucinogens. The film demonstrates to health professionals that successful management of drug overdoses can save most lives and avert additional organic and psychiatric complications.

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Overdose (1977)

This program is an overview of best practices to keep a person who has overdosed alive between discovery and hospitalization. Practices include quickly finding or identifying the substance the person on which the person has overdosed and traveling to a hospital or other treatment site immediately. Several simulations of different situations are shown, and the narrator asks the viewer what he or she would do differently. It provides an excellent overview of the basic prehospital approach to an overdosed patient. The initial field management of a patient is covered, accompanied by well-done scenarios illustrating incorrect technique. Although the inclusion of more medical detail would have been beneficial, this is a compelling presentation which is highly recommended for use.

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Narcotics, Why Not? (1966)

This film presents a series of extemporaneous interviews with teenagers and young adults who have taken narcotics for "kicks," "association," or "curiosity." Residents of the California Rehabilitation Center relate how they were introduced to narcotics, why they wished they had not used drugs or narcotics, and what the future holds for them. Film is shot in Hollywood, Calif.

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Forms of Forgetting (2023)

Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversations to forge a pensive treatise on what it means to forget, where word and image play an equal role.