A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.
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Experimental educational film reveals the emergence of some ideas of Biophysics in historical, philosophical and methodological aspects. The first film from the Biophysics Cycle (1982-1989).
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At various points in its history, tiny St. John's Island was where Singapore's colonial founder Sir Stamford Raffles docked his ship upon arrival, a quarantine centre for immigrants and pilgrims returning from Mecca, a penal colony for political detainees and secret society leaders, and a sleepy holiday resort. Unlike its neighbouring islands, however, St. John's was never fully developed. It occupies an in-between space, the vestiges of its history scattered around the land. Its indeterminacy stands in sharp contrast to Singapore, where land use is meticulously planned to fulfil economic and social functions. In this film, St. John's Island - otherwise known as 'Bukit Orang Salah', a nickname coined by the people who were quarantined there - becomes a site of and for reflection, prompting questions about our history, heritage and identity.
Stunned, I Remain Alert (2020)
Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.
Moving to Mars (2009)
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How I See Sunsets (2017)
A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.
Chance, History, Art... (1980)
Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
The Last Season (2014)
In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.
Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan (1985)
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
The Game of Love (1967)
A young woman and man are riding bikes through nature, having a good time. When she speeds up, he loses her, and after a while he stumbles across her bike without any trace of her. He stumbles through the forest looking for her, imagining how she kisses him. No dialogue, just "audio credits" instead of titles, saying the name of the film, actors and director.
Heliorama (2004)
A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.
Scattered People (2021)
Follows Mas and Saha, two young Iranian asylum seeker musicians, navigating a frightening new world of immigration detention - where they discover the power of music.
The Way to My Father’s Village (1988)
In the fall of 1986, Richard Fung made his first visit to his father's birthplace, a village in southern Guangdong, China. This experimental documentary examines the way children of immigrants relate to the land of their parents, and focuses on the ongoing subjective construction of history and memory. The Way to My Father's Village juxtaposes the son's search for his own historical roots, and his father's avoidance of his cultural heritage.
Brilliant Moon: Glimpses of Dilgo Khyentse Rinpoche (2010)
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Son of the Streets (2020)
13-year-old Khodor is a child whose family tries to issue him an ID document that proves his existence and gives him the right to education, health-care and movement outside of the Palestinian refugee camp of Shatila in Beirut, Lebanon. Through the process, many of the family's old secrets are revealed.
Congo (1972)
An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
The Diary of Immaculée (2006)
In this moving documentary, Oscar-nominated filmmakers Peter LeDonne and Steve Kalafer chronicle the extraordinary life of Immaculée Ilibagiza, a young African woman who escaped genocide in Rwanda and ultimately found refuge in the United States. Seeking shelter with an Episcopalian minister, Immaculée hid from her attackers inside a bathroom for three long months but stayed centered through prayer and faith.
(Always) Next To Me (2021)
(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly describing what was going on for me personally at the moment the plants were collected. I started the film at the beginning of the pandemic, just after I found out I was pregnant for the first time in April 2020 and finished it just before the birth of my baby in December of the same year.
PLEH (2017)
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.