Looby is the story of what happens when an artist chooses to speak out. For Australian painter Keith Looby, it cost him almost everything. Winner of prestigious art prizes and collected by major galleries at home and abroad, Keith's addiction to speaking his mind has left a string of failed business relationships, marriages and friendships. Bludgeoned into coherence by the film-makers, assessed by dealers, curators, critics and fellow artists, Looby is a chance to look at a brilliant artist who had his moment in the sun, and to ask whether he should have another.
Mark of the Hand (1987)
Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.
The Monopoly of Violence (2020)
As anger and resentment grow in the face of social inequalities, many citizens-led protests are being repressed with an ever-increasing violence. In this documentary, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.
Closeness to the Land (2022)
In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.
Land Without Bread (1933)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
À la recherche de la jeunesse perdue (2022)
What if science could reverse the aging process? Follow the researchers as they decipher these mechanisms, with the promise of finding the elixir of youth so you can live longer, healthier lives!
Ningwasum (2022)
Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.
Cezanne (1978)
A film record of an exhibition of the late work of Paul Cezanne, organized by The Museum of Modern Art and the Reunion des Musees Nationaux in Paris. The camera moves across details of paintings, as well as details of Cezanne’s studio, providing an intimage, close-up view of the artist’s work. The narration is provided by Cezanne’s own words, taken directly from records of correspondence. 22nd Annual San Francisco International Film Festival Participation- Communication Competition, 1978.
Egon Schiele: Dangerous Desires (2018)
The dramatic story of Egon Schiele in his own words, celebrating his remarkable artistic achievements but also debating the controversies around his work.
Blood of Two (2009)
The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.
Skin: A History of Nudity in the Movies (2020)
The definitive documentary on the history of nudity in feature films from the early silent days to the present, studying the changes in morality that led to the use of nudity in films while emphasizing the political, sociological and artistic changes that shaped that history. Skin will also study the gender inequality in presenting nude images in motion pictures and will follow the revolution that has created nude gender equality in feature films today.
John Singer Sargent: Fashion and Swagger (2024)
Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.
Thermonuclear Art (2015)
The sun is always changing and NASA's Solar Dynamics Observatory is always watching. Launched on February 11, 2010, SDO keeps a 24-hour eye on the entire disk of the sun, with a prime view of the graceful dance of solar material coursing through the sun's atmosphere, the corona.
In Praise of Action (2018)
Documentary about stunts and their recognition in the film industry. Without their selfless contribution to film, the movies we know and love, would not be nearly the same. It is the art of ACTION that allows us to experience those thrilling moments Just as that famous Director's saying goes, "Lights, Camera. - ACTION!" There is an understood, yet UNSUNG value to the last of those three necessary components in film-making. Directors, Producers, and Studio Execs all know that the work of Stunt Professionals is an effective way to motivate people into the box offices and to help captivate an audience during Award Shows. Many people do not know that Stunt Professionals do not get an Academy Award, even though they are the ones who literally risk life for their life's passion. In Praise of ACTION makes a statement why Stunt Professionals are being forgotten in the biggest film awards ceremonies? This is the right time to talk about it.
Abbas Kiarostami: The Art of Living (2003)
Through an interview with Kiarostami in the Aran Islands and interviews with film critics and scholars at Cannes, the director examines Kiarostami's themes and methods. The director also profiles Kiarostami as a poet and a photographer.
The Man Who Looked Beyond the Horizon (2019)
More than 40 years ago, Bas Jan Ader decided to go on an adventure. In a tiny sailing boat, the Dutchman set sail across the ocean. Nine months later the boat was found adrift at sea. There was no sign of Ader. It’s a story that has always fascinated filmmaker Martijn Blekendaal, not just because of the disappearance itself, but also because of the entire mystery that surrounds it. Blekendaal embarks on an investigation that follows his footsteps to Hollywood. It turns out that, in order to understand what drove this man to his fateful voyage, the filmmaker has to overcome his fear of looking beyond his own horizon. In a whirlwind montage of images jumping from one time, place and person to another, Blekendaal shows us that Bas Jan left behind something more special than just a mystery.